Saturday, December 07, 2024

ADVENT QUIET MORNING



This year's Advent Quiet Morning was probably one of the most difficult to put together. I rely upon my reading throughout the year to provide material for the AQM set lists, but most of my reading this year was Buddhist. So I really had to dig deep to find pieces, and it came down to the wire.

I created small pieces of artwork to accompany each set of readings, which provided me an additional component for this year's participants to focus upon during times of meditation and silence following the Bible passages, poems, essays, and excerpts.



"Holy Ground," acrylic gel print on 4½" x 6½" cardstock.

Holy Ground
  • Exodus 3:1-15.
  • "Dancing with Divine Fire: A Divine Invitation" by Barbara Holmes, from the Center for Action and Contemplation's "Daily Meditations" series.
  • "On Fire, But Not Burned," an online poem by Andrea Skevington.
  • "Visio Divina, August 21, 2024," an online devotion by Scott Erickson.


"Mary," acrylic gel print on 4½" x 6½" cardstock.

Mary
  • Luke 1:26-38.
  • Lyrics from "Let It Be" by The Beatles.
  • Excerpts from "Bring It: A Letter from Mary," chapter ten of Season's Greetings: Christmas Letters from Those Who Were There by Ruth L. Boling.
  • "Fourth Station: Jesus Meets His Mother" from Come to Me, All of You: Stations of the Cross in the Voice of Christ by Amy Ekeh.


"The Light," acrylic gel print on 4½" x 6½" cardstock.

The Light
  • Genesis 1:1-5.
  • Two lines from The Book of Hours I, 44 by Rainer Maria Rilke.
  • Psalm 18:28.
  • Lyrics from "There Is a Light That Never Goes Out" by The Smiths.
  • Psalm 27:1.
  • Psalm 78:14.
  • A quote from Hildegard of Bingen, from Vita Hildergard II.2, 71.
  • Matthew 2:1-12.
  • "Stars," a poem by Marjorie Pickthall.
  • John 1:1-5.
  • Four lines from Auguries of Innocence by William Blake.
  • "A Resurrection Faith: Dawn's Radiant Light" by Father Richard Rohr and Becca Stevens, from the Center for Action and Contemplation's "Daily Meditations" series.
  • Revelation 22:5.
  • Two lines from Holden Evening Prayer.

Thursday, December 05, 2024

BE NOT AFRAID



"Be Not Afraid," papercut cardstock on copy paper.

A companion piece to "Annunciation," I think these beings to be "lesser" angels in the hierarchy of the heavens. Perhaps they are component parts of a seraph. Or perhaps a seraph is a composite being. I liked the notion of the wings and wheel being angelic creatures in their own right, so here they are.

Wednesday, December 04, 2024

ANNUNCIATION



"Annunciation," gel-printed papercut cardstock and aluminum foil on copy paper.

A six-winged seraph, but the wings flapping in a circle as though the wheel envisioned by Ezekiel. And covered in eyes, but what if the people who encountered these angels mistook an orifice, an aperture, for eyes because of the shape. What if, instead of eyes, they were glimpses into the great emptiness, the void, the Ground of Being? What if, instead of eyes, they were mouths eternally singing Hallelujah! and praising the Divine, proclaiming the glory of the Lord?

Tuesday, November 26, 2024

BUDDHIST READING GROUP



Here are the ten books of the Buddhism Today Reading Group I joined this year. I joined in February and we don't meet in December, so this stack comprises the ten books I read and discussed each month. 

February
Standing at the Edge: Finding Freedom Where Fear and Courage Meet by Joan Halifax.

March
How to do Nothing: Resisting the Attention Economy by Jenny Odell.

April
Choosing Compassion: How to Be of Benefit in a World that Needs Our Love by Anam Thubten.

May
Zen in the Garden by Miki Sakamoto.

June
The Heroic Heart: Awakening Unbounded Compassion by Jetsunma Tenzin Palmo.

July
The Little Book of Zen Healing: Japanese Rituals for Beauty, Harmony, and Love by Paula Arai.

August
The World We Have: A Buddhist Approach to Peace and Ecology by Thich Nhat Hanh. 

September
One Long Listening: A Memoir of Grief, Friendship, and Spiritual Care by Chenxing Han.

October
Just One Thing: Developing a Buddha Brain One Simple Practice at a Time by Rick Hanson.

November
Awakening Dignity: A Guide to Living a Life of Deep Fulfillment by Phakchok Rinpoche and Sophie Wu.

My favorite book in the stack is One Long Listening by Chenxing Han, a spiritual memoir and meditations on grief by a Buddhist chaplain. It was intimate and vulnerable, exploratory and experimental, and provided a beautiful peek into both chaplaincy and friendship.



I also read an additional seven books that helped guide me, a couple of which were also read by the Buddhism Today Reading Group in prior years (with month and year in parentheses, if appropriate).
  • Essential Zen by Kazuaki Tanahashi and Tenzo David Schneider.
  • The Intimate Way of Zen: Effort, Surrender, and Awakening on the Spiritual Journey by James Ishmael Ford.
  • Living Buddha, Living Christ by Thich Nhat Hanh.
  • Luminous Darkness: An Engaged Buddhist Approach to Embracing the Unknown by Deborah Eden Tull.
  • The Spring of My Life and Selected Haiku by Kobayashi Issa, translated by Sam Hamill (April 2023).
  • We Were Made for These Times: Ten Lessons for Moving Through Change, Loss, and Disruption by Kaira Jewel Lingo (June 2022).
  • Zen Mind, Beginner's Mind by Shunryu Suzuki.
My favorite book of these seven, and one of the most helpful to me in defining my current spiritual path this past year, is The Intimate Way of Zen. James Ishmael Ford is both a Unitarian Universalist pastor and Zen priest. It is loosely based around the Ten Oxherding Pictures of Zen.



At the most recent Buddhist reading group meeting, our main facilitator invited me to sit with members of South Sound Zen, so I went and sat with them. It was spectacular and holy and absolutely ordinary, all at the same time. It felt like "coming home," a place that is familiar and where I am known.

After sitting (zazen) for 25 minutes, walking meditation for 10 minutes (my first experience of kinhin), and then another 25 minutes of sitting, I had the opportunity to sit and converse with the leader for the evening, Chuck. He's on the board of trustees of Sonoma Mountain Zen Center, which is who allows him to lead/teach with South Sound Zen. He had a Pentecostal upbringing and shared about trying to shift from that background to Soto Zen. We talked about Thomas Merton, Thich Nhat Hanh, and Daniel Berrigan. We talked about the decline of organized religion. All while eating lemon cookies and drinking green tea. I'll be returning to sit again.

Sunday, November 24, 2024

THE WHALE



The Whale (2022) directed by Darren Aronofsky. An adapted stage play, the “stage” is felt in the cinematography and choreography of the scenes. There is a claustrophobia that builds in the apartment of the morbidly obese and dying Charlie. And this apartment/stage is filled with broken people. Broken. People. Are they good? Are they evil? Or, are they simply broken? It’s a difficult film to inhabit at times, just as many of the characters find their lives difficult to inhabit. Notions of faith, freedom, health, relationship (family and friends), are grasped at and then slip away again. Herman Melville and Walt Whitman make “cameos” here and there. I thoroughly enjoyed this. The cast is stellar. The story may be honest, but brutally honest. I suppose there is redemption of a sort. Highly recommended.

After the wildness of Aronofsky’s Mother! (2017) this is a welcome return to a more grounded film.

Streaming on Netflix.

Friday, November 22, 2024

ALIEN: ROMULUS



Alien: Romulus (2024) directed by Fede Alvarez. Just to be clear, I was one of the few who actually liked and enjoyed Prometheus. If you didn't, but you defend the final creature in Romulus then I call bullshit and I'm going to punch you. Romulus is filled with action as well as worn and tired tropes borrowed from every Alien film that preceded it. And, in the case of the opening scenes in the mining colony, it is also borrows heavily from Blade Runner. This is the Alien film that pushes too far for me. The two leads, Rain and Andy, though, provide excellent performances as "new Ripley" and "the android."

This one's a mixed bag. If you aren't a fan of the franchise then I recommend a pass.

Streaming on Hulu.

Saturday, November 16, 2024

DRY



I stopped drinking alcohol on January 1, 2024, in what was a one-year commitment to myself. Now, I’ve decided to go permanently dry, so I have a few Deschutes brews that need to be released into the wild, since I’m retiring my beer cellar. I hope to find someone (or a few someones) to enjoy them, as I would have at one time in the past.

Sunday, November 10, 2024

WILL & HARPER



Will & Harper (2024) directed by Josh Greenbaum. It's a road trip buddy film, with an existential underpinning. It asks questions, but in a gentle way. It plays a bit too light with the hateful moments of others. There is a scene that makes me absolutely uncomfortable for Harper and the vulnerability she feels. Ultimately, though, it's a film with heart. Tender and loving. And it reminds me a bit of My Dinner with Andre, which is a good thing.

Streaming on Netflix.

Friday, October 04, 2024

RAN



Ran (1985) directed by Akira Kurosawa. His final film is samurai saga meets Shakespeare meets Dante. It's beautiful and a bit bombastic, filled with family drama, betrayal, and bloodshed. The movie slowly descends into madness alongside the Great Lord Ichimonji and his ever-increasing kabuki mask.

Highly recommended.

Wednesday, September 25, 2024

MOUNTAIN of the HEART MOON



The Father sent me a set of Tibetan singing bowls to accompany my various meditations.


As part of my staycation, I headed down to Olympia for a day of book browsing and banh mi, but primarily to go and sit in zazen with the community of Olympia Zen Center, which I learned is also known as Mountain of the Heart Moon.


I did a little bit of internet research so I somewhat knew what to expect. I knew that OZC was a school of Sōtō Zen and that they were an "Order of Ryokan," the late-18th/early-19th century Japanese Zen poet-priest. I was intrigued by the poetry connection, as well as the fact that I understood Sōtō to have fewer "expectations" during zazen than the Rinzai sect.


I arrived for the newcomer orientation before the formal sitting commenced and I'm glad I did. There was one other person there for the first time and our "guide" for the evening was Bill. Bill physically walked us through the zendo and showed us the various rites and rituals of preparing to sit in meditation—when and where to bow, and to whom; which directions to turn and face; what to "do" during sitting.


I sent myself some brief notes immediately after leaving OZC. Here is what I wrote about Bill:

Bill was the best of guides. Patient. Honest. Genuine. Walking us through movements. Nudging us out of the nest a bit. Offering compassion and forgiveness. Modeling behavior. Nudging us a bit more. Gently reminding and correcting. Checking in afterward.


Here is what I wrote about Eidō Frances Carney, the founder of Olympia Zen Center, who presided over the evening:

Eido-san was filled with holy fire. Demanding and forgiving. Scolding and loving with a simple glance. And, in the end, once the rites and rituals were complete, welcoming and affable, approachable after all.


Bill had told us that no one would judge us if we didn't get things exactly right. And, I believe he was right. I think I was hardest on myself. During the beginning of the session, to whom did I initially forget to bow? Eido Frances Carney. I caught myself and turned to bow to her. At this point, this was our initial meeting. Not a good way to start, as far as I was concerned. I thought her look fierce, but that was more likely because of how I felt for missing the bow at the proper time. I bowed and got myself settled in and ready for the forty minutes of sitting.


Bill had told us that the reason that the Sōtō schools sit facing the wall is to avoid unnecessary distractions. He also told the other newcomer and I that we would sit on either side of him, in order that he could model behavior and movements for us. When the moment came to sit, however, there was no seat on the other side of Bill so he pointed me to the next available open cushion. But I wasn't seated in front of a blank wall like most of the room, but one of two windows. I laughed inside.


The "goal" of the evening was to just sit. In proper form, of course. But there was no koan to meditate upon, as in the Rinzai schools. There was no need to count breaths. My understanding, after hearing Bill explain what we would be "doing" during sitting, was to accept the thoughts that came into our minds and then dismiss them. Yes, Bill confirmed, this was indeed how to sit: accept the thoughts that arrived in our mind and then dismiss them, without violence.


I was seated in front of a window, in a half-lotus position, hands lightly positioned in cosmic mudra, eyes downcast at a 45-degree angle and slightly closed (but still open). And I watched the light slowly bleed out of the sky. I watched the ferns of the yard outside the zendo dance in the wind.


I found one yellow leaf on the ground to concentrate upon. I used that leaf to "turn off" other thoughts in my mind, or, rather, to accept and dismiss them. I used that leaf to "focus" upon in such a way that, via "training" of the Magic Eye books decades ago, I was able to sometimes make the ferns and their movement disappear. I was able to make the yard disappear. And, then, ultimately, I was able to make the leaf disappear. The window became a wall. Until I would think about the window as a wall and then the leaf would pop back into my senses, followed by ferns and wind and window.


After the sitting, there was a ceremony that included chanting a couple of sutras together, a Dharma talk by one of the members, and then a time to chat with one another before heading home for the evening.

The highlights for me were the holy moments of the sitting. Of the uncomfortableness of body (my left leg went fully "to sleep"). Of turning a window into a wall. And of the wonderful hospitality of Bill and the rest of the OZC members who were welcoming, kind, forgiving, and seemingly filled with joy to be in the presence of one another, all while taking time to sit together in silence.

Monday, September 23, 2024

THE SUBSTANCE



The Substance (2024) directed by Coralie Fargeat. Body horror. Existential horror. Not really scary, but gross in parts. Satire of celebrity culture and the pressures we place upon women. If I were a producer, I would have cut the last 20 minutes; it would have made for a great film rather than a good film. Definitely something to see, though.

Interesting use of close up shots. Good cinematography and storytelling. Plenty of references to other horror films—King Kong (1933), The Fly (Cronenberg's remake, 1986), Carrie (1976), The Elephant Man (1980), The Thing (1982), The Shining (1980). I'm sure I missed a lot of other nods and echoes.

Watched at The Grand Cinema with The Wife.

Sunday, September 22, 2024

WHITE RIVER



This morning I went and sat in silent meditation with members of White River Buddhist Temple in Auburn. Then I joined them for their fall O-Higan (equinox) worship service.

Meditation was both boring and beautiful. Half an hour seemed to be a good amount of time. Turning off my "monkey mind" was more difficult than I anticipated. I worked through some virtual sword routines to keep my mind from wandering astray too much.

This community of faith was extremely welcoming of a newcomer!

Wednesday, July 10, 2024

SWIM FREE 2024

Sandy Fest Seven, a day to honor my Mom's life on the anniversary of her death was an excellent day. Creating art. Time together. Pizza. A Coca-Cola toast. A couple of readings from The Little Book of Zen Healing. Open and honest conversations. A mini-film festival of home movies featuring my Mom. May she continue to rest in the embrace of God.

The art this year was a series of "best of" projects. We revisited things we enjoyed in the past.



Our first stop was at the Bremerton Art Walls to get another small "Swim Free" octopus painted onto the retaining wall, amongst all of the graffiti art.



Then it was off to The Father's house to create art with members of my family. I worked on Coke bottles for the second year in a row. Other than the one octopus bottle, I simply painted patterns on bottles. It was fantastic therapy. It was meditative and healing.

Friday, June 21, 2024

INTERNATIONAL DAY of YOGA



Today is the International Day of Yoga. We participated in a session hosted by the Consulate General of India, Seattle at Red Square on the Pacific Lutheran University campus. Namaste!





Photo of participants by Pacific Lutheran University.

Monday, April 22, 2024

棘 / TOGE


A new sword joins the family. Using basic sword strikes from the Filipino martial arts (kali / escrima), I "built" a new sword meditation, 解剖学的研究 / Kaibōgakuteki kenkyū / "Anatomical Study" for the backyard dojo. 

This lighter sword, with its double-edge blade, and only being held with one hand, is allowing me to explore deeper into some of the body mechanics of sword use. And it's an absolutely beautiful weapon: one side is darker than the other, and there are waves of grain running across her blade.

She is a beauty to behold and a beauty to wield.


棘 / toge / thorn
espada / kamagong ("ironwood") Filipino wooden short sword

Some [seed] fell among thorns, and the thorns grew with it and choked it.
—LUKE 8:7



爪 / tsume / claw
jian / unsharpened Chinese straight sword

Then I desired to know the truth concerning the fourth beast, which was different from all the rest, exceedingly terrifying, with its teeth of iron and claws of bronze, and which devoured and broke in pieces, and stamped what was left with its feet.
—DANIEL 7:19



頤 / ago / jaw
"Musashi oar" suburito / heavy oak wooden sword

Then he found a fresh jawbone of a donkey, reached down and took it, and with it he killed a thousand men. And Samson said, “With the jawbone of a donkey, heaps upon heaps, with the jawbone of a donkey I have slain a thousand men.”
—JUDGES 15:15-16



舌 / shita / tongue
katana iaito / unsharpened long sword

In his right hand he held seven stars, and from his mouth came a sharp, two-edged sword, and his face was like the sun shining with full force.
—REVELATION 1:16



牙 / kiba / fang
wakizashi iaito / unsharpened short sword

Fire and hail and famine and pestilence, all these have been created for vengeance; the fangs of wild animals and scorpions and vipers, and the sword that punishes the ungodly with destruction.
—ECCLESIASTICUS 39:29-30

Saturday, April 06, 2024

PORTLAND JAPANESE GARDEN

Visiting Portland Japanese Gardens was a holy experience. We first walked through three of the five gardens with a volunteer guide for an hour. Judy provided excellent and encyclopedic context for what we were encountering. Then we had time to wander all five gardens alone. Absolutely splendid. If I lived closer, I would visit frequently.









FRESH HOP



Fresh Hop Non-Alcoholic IPA by Deschutes Brewery.

12 ounce can • non-alcoholic

When in Portland...

One of my favorite restaurants is Deschutes Brewery. They think about their food and how it pairs with their beer. And they think a lot about their beer, which makes them one of my favorite breweries. So I expected this visit to be more awkward than it was.

Fortunately, their non-alcoholic version of Fresh Hop is close enough to the original that I don't miss the alcohol in it. Plus the food was top notch, as always. The medium-rare flank steak was perfectly prepared. The asparagus was some of the best I've ever had due to the seasoning, which was light by shifted the flavor just enough to be a delight on the tongue. The food and non-alcoholic beer worked well together, so my worries were unfounded.

Monday, April 01, 2024

EVERYTHING EVERYWHERE ALL at ONCE



All Fools Day was a great day to watch Everything Everywhere All at Once (2022) directed by Daniel Kwan and Daniel Scheinert. It's a wild blend of film genres—Chinese-American family drama, surreal comedy, kung fu fighting, multiverse space-time bender—and it ably and absolutely marries them together. The lead actors seem to be having the best time inside their characters. I loved this film!

I shied away from this film for so long because some people I share movie tastes with didn't care for it. I'm glad I gave it a chance.

Streaming on Netflix.

Tuesday, March 12, 2024

BLACK BUTTE



Black Butte Non-Alcoholic Porter by Deschutes Brewery.

12 ounce can • non-alcoholic

The non-alcoholic version of Black Butte Porter from Deschutes is very close to its alcoholic sibling. Not exact, but similar enough to pass. I like it.

Saturday, March 09, 2024

NØ MØ



NØ MØ Non-Alcoholic IPA by Crux Fermentation Project.

12 ounce can • non-alcoholic

Today finally felt like the right time to explore a couple of non-alcoholic beer options. Deschutes Brewery and Crux Fermentation Project brew some of my favorite beers, so perhaps their NA brews would follow suit.

I had Crux NØ MØ IPA with homemade tacos. It wasn't awful, but it wasn't very good, either. Perhaps non-alcoholic IPAs are just not generally good?

I'm holding out hope for the non-alcoholic version of Black Butte.

Friday, March 08, 2024

THE MATTER of LONELINESS



I attended a two-day symposium, hosted by the Wang Center for Global and Community Engaged Education at Pacific Lutheran University. I was present at every presentation and workshop offered during "The Matter of Loneliness: Building Connections for Collective Well-Being." I'm glad I did because I learned a lot and ended exhausted, but with a full head and full heart.

The first day was focused on theory and the second day was focused on implementation. (Or "inside" and "outside" as PLU thought of the days.)




I left with a bunch of "takeaways" for my workplace and will be reaching out to various people and organizations to put learning into practice.

There were two fascinating workshops I experienced. The first was a Purpose Planning Workshop led by a facilitator from the Blue Zones Project. My top "gift," discovered during a "calling card" exercise was "Exploring the Way." I take it to be a lifelong search for meaning, tied to spiritual and religious practices, and bolstered by my gifts of creating art, writing, and organizing. The second was being present during a Braver Angels community debate between college students that explored whether or not everyone is entitled to a universal basic income. The structure of the debate allowed for constructive conversation without division. It turns out that most people gathered are in favor of some kind of universal basic income, whether on the right or the left, conservative or liberal; the difference comes in the details, such as who would fund such a program.




Both days had a great selection of speakers and thinkers. My favorites were:
  • Julia Watts Belser, Professor of Jewish Studies and Disability Studies Core Faculty, Georgetown University, with "Wild Kinship: Disability Wisdom, Interdependence, and the Elemental World."
  • Jenny Odell, writer and artist, with "How to Do Nothing."
  • Carolyn Finney, storyteller and cultural geographer, with "Our Story: Blackness, Belonging & Dreaming the Family Tree."
  • Mike Weiking, founder and CEO, The Happiness Project in Copenhagen, with "The Science of Happiness."

Sunday, March 03, 2024

DRIVE-AWAY DOLLS



The Wife and I saw Drive-Away Dolls (2024) directed by Ethan Coen, at The Grand Cinema in Tacoma.

I usually know a bit about a film before I see it. In the case of Drive-Away Dolls, all I knew came from the trailer. It appeared to be a blend of Thelma and Louise and Pulp Fiction. But, as they say, appearances can be deceiving. That is the case here. This is a lesbian romance road film that tries too hard. It's too quirky. It's too fragmented and disjointed. I was most intrigued to see Geraldine Viswanathan (Miracle Workers) in it but her character isn't really allowed to do anything and is mired in sadness. Geraldine's humor is stifled. And there are way too many dildo jokes and shots and scenes of dildoes. No joke. Spoiler alert: it's a major plot point. This is a pass unless you're a Coen Brothers completist; even then tread with caution.

Saturday, March 02, 2024

FLOWERING BONSAI



I have visited the Pacific Bonsai Museum many times, but have never been there in the spring when the trees are in bloom. I rectified that today.

Two of the flowering plum trees were in peak bloom. There were many other bonsai—juniper, sweet gum, Gravenstein apple, Japanese maple, azalea—with new growth. Buds and infant leaves were just starting to appear. I'm glad I visited!

Tuesday, February 27, 2024

TAIJI SWORD



Taiji sword work is completely different from iaido sword work. First, the sword is much lighter, which affects the movement of the blade through space. Second, the double-edged blade means I don't have to be as aware about which way the blade is facing. Third, the movements are slower and more deliberate, even though they aren't necessarily less powerful or dynamic.

This morning, I started working on "body geometry" (my term for it) with Master Shirley. The primary focuses of these early lessons were economy of movement, relaxed form, the sword as an extension of the arm, and moving along a plane. It has been great to remove rigidity from my stances, to apply circular motions toward the angles of the sword and my body, and to learn (again) how to channel energy as it spirals up from the ground while my body moves but my arms mostly don't (at least in relation to my body).

Saturday, February 24, 2024

ZERO at the BONE



That moment when you encounter a kindred soul.

In my recent faith explorations, I have discovered many overlapping books, articles, and authors. Books on Buddhism have pointed me to journals on Christianity. One of those is Comment magazine. A review on the Comment website of Christian Wiman's book Zero at the Bone: Fifty Entries Against Despair found me immediately driving to a nearby bookstore to pick up a copy for my upcoming "bachelor weekend."

I'm finding this mix of poems, quoted passages, short essays, meditations on life and death, and observations on God and faith speaks to my soul. This is the book that I needed for the here and the now. Amen!

Friday, February 23, 2024

Monday, February 19, 2024

FAKE CONFIDENCE



"I miss [my old teacher Miriam's] knack of knowing me and looking like all the answers of life belonged to her, even the impossible ones. I am an adult now and I feel no such surety; I hope I fake confidence as well as she did. Perhaps that is the role of a responsible person—to fake the confidence he doesn't feel so that the young can believe in something. Except there are no young ones any more. I'm not sure who I'm faking for."

The Beauty by Aliya Whiteley

Sunday, February 18, 2024

NIMONA



Tonight was Oscar Nominees movie night.

First up was "Live Action Short Film" The After (2023) directed by Misan Harriman. This film is the right length. Any longer and it would have lost its punch. A meditation on loss and grief. This one is a must see. Streaming on Netflix.
 
Next up was "Animated Feature Film" Nimona (2023) directed by Nick Bruno and Troy Quane. I had no idea what this would entail. It's a mix of mythology and monsters. But it's really a challenge to our current culture and the notion of conformity, or lack thereof. And it's about inclusivity (at the greatest end of the spectrum) and tolerance (at the least). And about the walls we build, literally and metaphorically. And about breaking down walls. And love. I will definitely be seeing this again. It was very well done. Streaming on Netflix.

Friday, February 16, 2024

WHITE RIVER DISC GOLF COURSE



It's been a while since I've played at White River.

I headed out this morning in 31ºF chill and was on the course before 8:00 a.m. I had the park to myself, except for a couple of walkers. When I left, just before 9:00 a.m., it had warmed to a balmy 35ºF but the sun was shining so it somewhat countered the cold.

If there was a tree, I hit it. And this course has a LOT of trees. To my credit, though, I had a lot of chain skims and basket hits. But those don't count as in, so those extra easy shots added up.

I had an excellent time, so the cold and trees and misses were all worth it!



Hole 1 - 3
Hole 2 - 3
Hole 3 - 3
Hole 4 - 5
Hole 5 - 6
Hole 6 - 5
Hole 7 - 4
Hole 8 - 4
Hole 9 - 3
Front nine - 36 (+9)

Hole 10 - 5
Hole 11 - 4
Hole 12 - 4
Hole 13 - 3
Hole 14 - 4
Hole 15 - 3
Hole 16 - 3
Hole 17 - 4
Hole 18 - 4
Back nine - 34 (+7)

Total - 70 (+16)




Since the last time I played, they put up new signage for the "short" course (red course), which was helpful. Plus there are red arrows hanging in the trees near baskets, pointing you to the next hole. Thanks to whomever took the time, energy, and effort to make the course very navigable.

Saturday, February 10, 2024

BREATHING UNDER WATER



For the past few years, I have felt myself to be in spiritual exile (which is a bit ironic since I work for a church), so I finally decided to do something about it. I have enrolled in a 15-week online course: Breathing Under Water through the Center for Action and Contemplation, based upon the work of Father Richard Rohr.



In addition to course work, videos, discussion forums, and the like that open each week, the core texts I am reading: 
  1. Breathing Under Water: Spirituality and the Twelve Steps.
  2. Breathing Under Water Companion Journal, which is really a study guide with additional explorations and questions.
  3. New Seeds of Contemplation by Thomas Merton.


What is fascinating to me, is the overlap of mystical Christianity, Zen Buddhism, and the Twelve Steps of Alcoholics Anonymous. I'm intrigued by the places where they find common ground, where they differ, and where they move forward into a better, beautiful world, lifting up others around them and into fellowship with the Divine (God).

Friday, February 09, 2024

PLU MEADOWS



My best 9-hole round of disc golf at PLU Meadows today! Two under par!

Hole 1 / par 3 - 3
Hole 2 / par 3 - 3
Hole 3 / par 4 - 3
Hole 4 / par 3 - 3
Hole 5 / par 3 - 3
Hole 6 / par 4 - 4
Hole 7 / par 3 - 3
Hole 8 / par 4 - 4
Hole 9 / par 4 - 3
Front nine / par 31 - 29 (-2)



My body felt loose. My mind felt empty. The discs went where they needed to go.

I didn't overthink what I was playing. I just followed the discs down the fairway and into the basket.

Thursday, February 08, 2024

POOR THINGS



The Wife and I saw Poor Things (2023) directed by Yorgos Lanthimos, at The Grand Cinema in Tacoma.

Poor Things is perverse in many senses of the word, an absolute delight, and peak Lanthimos. The film is a coming-of-age story with a twist. It examines the prison of existence, misogyny, and freedom. Prepare to see a lot of naked skin. It takes place in a steampunk Europe that easily could have been. Highly enjoyable!

Monday, February 05, 2024

爪 / TSUME



A new sword joins my family of weapons. The "fourth beast" is different from all the rest, in that she is a Chinese sword rather than Japanese. Also, she is a one-handed weapon and double-sided. She is used in tai chi, qigong, and meditation.



爪 / tsume / claw

jian / unsharpened Chinese straight sword

Then I desired to know the truth concerning the fourth beast, which was different from all the rest, exceedingly terrifying, with its teeth of iron and claws of bronze, and which devoured and broke in pieces, and stamped what was left with its feet.
—DANIEL 7:19




頤 / ago / jaw
"Musashi oar" suburito / heavy oak wooden sword

Then he found a fresh jawbone of a donkey, reached down and took it, and with it he killed a thousand men. And Samson said, “With the jawbone of a donkey, heaps upon heaps, with the jawbone of a donkey I have slain a thousand men.”
—JUDGES 15:15-16



舌 / shita / tongue
katana iaito / unsharpened long sword

In his right hand he held seven stars, and from his mouth came a sharp, two-edged sword, and his face was like the sun shining with full force.
—REVELATION 1:16



牙 / kiba / fang
wakizashi iaito / unsharpened short sword

Fire and hail and famine and pestilence, all these have been created for vengeance; the fangs of wild animals and scorpions and vipers, and the sword that punishes the ungodly with destruction. —ECCLESIASTICUS 39:29-30

Sunday, January 21, 2024

THE KING



The King (2019) directed by David Michôd. A coming-of-age film focused on Henry V's rise to power, moving from drunk laughingstock to warrior king. Loosely based on historical foundations and likewise loosely based on Shakespeare's play Henry V, the plot ultimately satisfies during Henry's transformation from Hal to Henry, King of England. The beauty of the muddy Battle of Agincourt as the central tableau is that the confusion of the battlefield feels more true than most cinematic depictions. Recommended.

Streaming on Netflix.

Thursday, January 18, 2024

KINGDOM III



Kingdom 3: Flame of Destiny (2023) directed by Shinsuke Sato. A bit slower than the prior two Kingdom films, this one provides us with significant background information. It also sets us up for Kingdom 4, coming later in 2024. This doesn't work well as a standalone, but is important as glue for the whole. Mostly for the diehard fans.

Streaming on Netflix.

Friday, January 12, 2024

BLUE EYE SAMURAI



Blue Eye Samurai (2023) is a series of eight episodes of great anime, with spectacular storytelling and stunning animation. It's a balance of violence, comedy, family (and its attendant problems), and quest, all wrapped up in the historical setting of Edo-era, Shogun-run, medieval Japan. Quite the wild ride.

Streaming on Netflix.