Showing posts with label troy's work table. Show all posts
Showing posts with label troy's work table. Show all posts

Wednesday, July 23, 2025

DARUMA DOLL DUEL



From left to right: 
A = "Old Man of the Sea" by The Child.
B = "Daruma the Grouch" by Troy's Work Table.
C = "No Face" by The Child. 
D = "Bert-i-dharma" by Troy's Work Table.


The Child and Troy's Work Table had a Daruma Doll Duel. The rules? Each participant had to create and two Daruma art pieces, one of which used a liter Coca-Cola bottle as a canvas, the other of which could be another bottle or can. Bottles and cans had a base coat of Montana Black Spray Paint, but any medium could be used. Participants had two weeks to work on pieces. They were then voted on by Instagram followers over a period of a week.

Troy's Work Table had his ass handed to him! The voting was ranked, so every voter had to vote for all four: first choice was awarded five points, second choice was awarded three points, third choice was awarded two points, and fourth choice was awarded one point. Points were tallied and compiled. The combined scores of The Child's two pieces were essentially double the combined scores of TWT's two pieces.


In addition to acrylic paint, "Old Man and the Sea" includes a sculpted clay nose, eye sockets, and fish. Translucent white marbles were used for eyes. "Bert-i-dharma" includes papercut hands in two slightly different colors of yellow to provide a three-dimensional element. 

Friday, November 24, 2023

TROY'S WORK TABLE



Taking Troy's Work Table 2.1 on it's inaugural run. 

First, I sprayed the underside with KILLZ to keep mold at bay and protect the wood. 

Next, was taking advantage of some long-shadowed sunshine to spray paint base coats on beer coasters. 

Now it's time to make some "Daruma dolls" out of said beer coasters.

Saturday, October 14, 2023

TROY'S WORK TABLE



Meet Troy's Work Table 2.1, discovered on my morning walk.

In the neighborhood next to mine, there is a "micro nursery" and they had this table sitting out at the road. I've been looking for something sturdier than TWT 2.0, which has seen better days. This barely fit in my car when I returned for it, but I'm glad it did. I expect that we're going to have grand adventures with one another.

Here's to more art-ing!

Saturday, April 22, 2023

PATCHES PAL



Who's the Patches Pal? I am!

This is happening: painting J. P. Patches (er, Seattle City Dump Television Clown) using templates from Tinkertopia.



The first piece I created was spray paint on concrete board for my garden.



Then I thought: Why not a T-shirt? So I bought some fabric spray paint and a shirt.



I'm certain that there is a little bit of Boris Buddy in me too, but now I can show off my Patches Pal power with pride!

Friday, July 01, 2022

TACOMA DOG and TWT



Today was a day of beautiful Pacific Northwest summer weather. It was also a perfect Troy's Work Table Day, which included all three (four) TWT elements—books, art, and beer (and wandering).

The Child and I stopped by Hi-Voltage Records because the band Working Men's Club was recommended to me and somehow I missed their debut album. I picked up a copy of 2020's Working Men's Club.

Then we stopped by The Red Hot for hot dogs to go. We learned that supply chain issues have left TRH without any spicy brown mustard for The Child's "The Red Hot" dog and without Mexican Coke so we ended up with cans of RC Cola.



We stopped by Tacoma's Wright Park to enjoy our lunch. My Tacoma Dog was perfect.

We wandered into the W.W. Seymour Botanical Conservatory before heading off to browse at both King's Books and Tacoma Book Center

I picked up a couple of books. Then it was off to home for a dinner of homemade tacos and beer, followed by the final three episodes of season three of Umbrella Academy.

Friday, May 06, 2022

TWT in TACOMA

The start of a staycation meant wandering into Tacoma to visit some of my favorite spots.



The Red Hot. Am I one to pass up the opportunity to enjoy a Tacoma Dog (Chicago-style) with a pint of ale. I am not.

To drink I had the FRRMNT IPA blend, which was listed on my receipt as "Blend-O-Nator 5000." Whatever it was called, it was another delicious win for the blended beers The Red Hot has had on tap.

This pint was a blend of Fremont Brewing's Lush IPA and Ferment Brewing Company's IPA. It was approximately 6.5% alcohol by volume. The body was hazy, butterscotch yellow with a thin white head. The nose and tongue were biscuity bitterness, with hints of lemon, citrus peel, and butterscotch.



Hi-Voltage Records. I spent about an hour just bouncing from one bin of albums to another. A band would pop into my mind and off I would go to see what was in stock. Then another band or album and off to another bin. Repeat. Repeat. Repeat.



It was record release day for Radiate Like This by Warpaint, so that's what I eventually purchased. I can report that it's a spectacular album. It's "quieter" than their previous albums. It's more vulnerable. More feminine. And I am really digging the second track, "Hips."

Update: It's turned into "Warpaint Week" during staycation. This album is so damn good. Songs just keep surfacing inside my skull, so I've got to go and give the record another spin!


And it wouldn't be a true Troy's Work Table day without books to accompany the art (music) and beer, so I also made stops at King's Books and Tacoma Book Center.

Sunday, May 01, 2022

(REDISCOVERING) REDISCOVERING PRAYER



I rediscovered a text that I never published here. It was published elsewhere two years ago as part of a series with other participants.



TEXTS from the EMPTY TOMB • 05/01/2020
 
“Rediscovering Prayer,” for Friday, May 1.



After [Jesus] had dismissed the crowds, he went up the mountain by himself to pray. 
—MATTHEW 14:23

After saying farewell to [his disciples], [Jesus] went up on the mountain to pray. 
—MARK 6:46

Now during those days [Jesus] went out to the mountain to pray; and he spent the night in prayer to God. 
—LUKE 6:12



The life of Jesus was a prayer. Oh, that my life was likewise a prayer, lived out as a beautiful and breathing thing. Spirit-filled.



My prayer life prior to “Stay Home, Stay Healthy” emergency measures had mostly atrophied. Sure, I prayed when I had to. During our weekly staff meetings. With my daughter before she went to bed. (Sometimes.) During worship.

But, for the most part, it had dried up. Withered away.

And then the “global pandemic” known as COVID-19 arrived.



When the various components and compartments of my life—work, [The Child's] school, the ability to go somewhere other than my home—collapsed onto my art desk in the basement, because they had nowhere else to be, I took to walking. A lot.

I was wandering everywhere.

One of the places I regularly passed was All Saints Catholic Church in downtown Puyallup. It had the “now familiar” COVID-19 sign on its doors, telling those who read it what All Saints was doing, wasn’t doing, and what the “new normal” in its space entailed.

All masses and gatherings were cancelled. Except that All Saints was providing their sanctuary as a place to pray each day from 3:00 to 6:00 p.m. with proper social distancing. I was curious as to how they could do that.

After my third day of passing by, I decided to check it out for myself. I’ve been praying there every couple of days for a few weeks now.



Jesus prayed.

He prayed in the wilderness places. He prayed during his temptation. He prayed in the garden at Gethsemane. He prayed from the cross.

He prayed with his disciples. He prayed for his disciples.

He prayed in the synagogue. He prayed in the Temple. He prayed at the table. He prayed sitting around with his friends, his disciples.



Prayer is a rhythm. Like breathing in and out.



While my mother was dying and I was keeping vigil each night in the hospital, I prayed with her. When I would end with the Lord’s Prayer, she would mouth the words with me. For all intents and purposes, she was unconscious, unable to respond to me. But when the Lord’s Prayer arrived, something deep within her responded. The Spirit breathed out through her lips with the words that Jesus taught us, with the words she had been praying since she was a child, as a confirmand, as an adult.

It was a moment that I will never forget. It was moments I will never forget, because it happened more than one night.



Praying at All Saints allows me a space where I can be alone.

I'm grateful for this Catholic parish being open for prayer each afternoon. It's helping keep me grounded, calm in the midst of "corona chaos."

I walk there as an act prayer. I pray as an act of prayer. I walk back home as an act of prayer.



I’ve returned to prayer with a newfound fervor.

I pray the words of the psalms as though I were “slow reading” a play for the first time. Only speak what my eyes can capture, and my mind can hold. A phrase. A verse. A line of a psalm or half a line of a psalm.

Inhalation: lift the words from the page. Exhalation: speak the words to God. In, out. Inhale, exhale. Lift, speak. Pray, pray, pray.



With my book of fixed-hour prayers, The Divine Hours: Prayers for Springtime, in my lap, and my prayer beads in my hands, I sit in one of the pews of All Saints Catholic Church and I pray the Midday Office, an amalgamation of the traditional prayer hours of terce, sext, and none.

Rhythm and ritual and refrain. A pattern. A reframing of traditional prayers, prayed for centuries by countless Christians before me.

The Call to Prayer. The Request for Presence. The Greeting. The Refrain (which will be heard three times throughout). A Reading. The Midday Psalm. My own petitions. The Gloria. The Lord’s Prayer. The Prayer Appointed for the Week. The Concluding Prayer of the Church. (I think of them as the “minutes” of the prayer’s “hour.”)

I like these prayers because they anchor my own prayers. A cloud of witnesses who prayed before me, pray with me, and will continue to pray. Those of the Psalmist(s) and the prophet Isaiah, many of the same prayers that Jesus likely prayed.

But also those of Brother Lawrence and Julian of Norwich and St. Francis of Assisi and Martin Luther and theologians and hymnwriters and faith-filled lay people.



“Prayer is the little implement / Through which Men reach,” writes the poet Emily Dickinson. “Pray without ceasing,” the Apostle Paul writes to the Thessalonians. We must pray. We must breathe. We must let the Spirit speak through us.

If this is indeed true, then why are we always holding our breath?



“Lord, teach us to pray,” the disciples ask of Jesus. Jesus teaches them.

He bestows the words of the Lord’s Prayer upon them, just as he bestowed them upon the church fathers and the church mothers and my own mother and myself and you.

I weave these words into the prayers of others and those of my own, as I sit in a Puyallup sanctuary on a quiet afternoon, near (but not too near) to two or three people who are also praying.

And these are the words I pray, they pray, we now pray:

Our Father in heaven, hallowed be your name, your kingdom come, your will be done, on earth as in heaven. Give us today our daily bread. Forgive us our sins as we forgive those who sin against us. Save us from the time of trial and deliver us from evil. For the kingdom, the power, and the glory are yours, now and forever. Amen.



Image: “Praying Mary,” photograph, 2020, by Troy Kehm-Goins. Garden at All Saints Catholic Church, Puyallup.

Tuesday, April 26, 2022

PURPLE BELT



"Each pattern / is a poem // we are / the punctuation."
 


Text: Opening lines of the opening poem, "Kata," of a work in progress. It has been slowly unfurling itself in my brain after qigong and karate morning workouts.



Image: "Opening lines" of the Heian Sandan kata.



If my life at work was difficult in the weeks leading up to Holy Week, it was further complicated by the fact that I was testing for various components of the requirements for my purple belt in Shotokan karate. And, the weekend after Easter, I took the actual purple belt test.

I was glad to finally test and earn my purple belt.

I struggled a bit on my weapons kata, but otherwise I felt I performed well. I know the places I will continue to encounter challenges and the things I need to work on with extra effort. But that is why this is a journey without a destination, a marathon and not a sprint.

Saturday, February 05, 2022

THE BOUNTY



This morning, I participated in "Outside the System: Using Blackout Poetry to Explore the Relationship Between Motherhood, Money, and Capitalism," a writing workshop facilitated by Christina Vega of Blue Cactus Press and hosted by Creative Colloquy.

I ended up creating a poem ("The Bounty") using two sources—a paragraph from "Doubloon," chapter 99 of Moby-Dick by Herman Melville and language and lines from a section of the recent Texas "abortion bounty" bill.


The workshop was intense. It also allowed me permission to think differently about erasure/blackout poems and how to create them.


"The Bounty" is related to my recent postcard poem series, "O Eschaton."

It is also related to my poem "Funeral," published by Creative Colloquy.

Sunday, October 03, 2021

O CONSTANT WATCH



"O Constant Watch," Montana BLACK spray paint, acrylic paint, India ink, art marker, and pencil on 4" x 6" recycled cardboard postcard.

One of the cards I sent out as part of my "O Eschaton" series of poems for the 2021 Poetry Postcard Fest.



O CONSTANT WATCH

O Constant Watch, the all-seeing eye
of red-light cameras and solar-powered

speed information displays
ATM electronic beams

and grocery store self-checkout video.
Smile! Slow! Status quo!

A miniature drone peers
in your bedroom window

to catch glimpses of naked flesh
or one of your online passwords.

Rise up! Resist! Rebel!
“I’m sorry, Dave. I’m afraid I can’t do that.”



All artwork and poems by Troy Kehm-Goins © 2021 Troy's Work Table Publishing.

Saturday, October 02, 2021

O GREAT EXPECTATIONS



"O Great Expectations," Montana BLACK spray paint, art marker, and India ink on 4" x 6" recycled cardboard postcard.

One of the cards I sent out as part of my "O Eschaton" series of poems for the 2021 Poetry Postcard Fest.



O GREAT EXPECTATIONS

O Great Expectations of a constant homeland
clinging to cardinal points of the compass

as the magnetic pole shifts
as our makeshift tents collapse

under the weight of carbon fiber footprints
under the weight of wielded batons—

we found our refugee camp
and dreamed of what it could entail

learned the history of this new nation
so that we could join its ranks.



All artwork and poems by Troy Kehm-Goins © 2021 Troy's Work Table Publishing.

Friday, October 01, 2021

O HYAKU of ONE-HUNDRED EMPTY HANDS



"O Hyaku of One-Hundred Empty Hands," Montana BLACK spray paint, papercut YUPO Translucent watercolor paper, acrylic paint, India ink, and art marker on 4" x 6" recycled cardboard postcard.

One of the cards I sent out as part of my "O Eschaton" series of poems for the 2021 Poetry Postcard Fest.



O HYAKU of ONE-HUNDRED EMPTY HANDS

O Hyaku of One-Hundred Empty Hands
seeking out pinion points and destruction of wings

you single-handedly defeated a legion of angels
in their attempt to seize heaven’s throne

and in the ever-present heat wave
the drought of these days

the aroma of Himalayan blackberries
roasting on their thirsty vines

rises from your flesh as incense
as offering as libation as epitaph.



All artwork and poems by Troy Kehm-Goins © 2021 Troy's Work Table Publishing.

Thursday, September 30, 2021

O GRIEVOUS PICKLE PANTS



"O Grievous Pickle Pants," Montana BLACK spray paint, art marker, and acrylic paint on 4" x 6" recycled cardboard postcard.

One of the cards I sent out as part of my "O Eschaton" series of poems for the 2021 Poetry Postcard Fest.



O GRIEVOUS PICKLE PANTS

O Grievous Pickle Pants (yes, I named it)
of the Western Lands (yes, you claimed it)

you polished your jar to a crystal shine
as it glittered with the dense brine within.

What sweet dreams will we savor together?
What outposts will we flavor forever?

You have nine circles of afterlife to fill
with denizens collected from various planes

of existence, whether known or unknown,
imagined or realized, deflated or firm.

Know this: even if it never works out in the end
it doesn’t matter
, sings the forgetfulness…



All artwork and poems by Troy Kehm-Goins © 2021 Troy's Work Table Publishing.

Wednesday, September 29, 2021

O PILLAR of SMOKE by DAY



"O Pillar of Smoke by Day," Montana BLACK spray paint, art marker, and acrylic paint on 4" x 6" recycled postcard.

One of the cards I sent out as part of my "O Eschaton" series of poems for the 2021 Poetry Postcard Fest.



O PILLAR of SMOKE by DAY

A thin layer of smudge films
all of the window glass in the house

when O Pillar of Smoke by Day appears.

The cloud comes from a cleansing fire
that devours all in its path—

thousand-year-old redwoods
as well as upstart saplings and underbrush

animal carcasses and fleeing bodies
residences and habitations

asphalt and vinyl siding and aluminum
tires and teddy bear and televisions—

an appetite of divine provenance.



All artwork and poems by Troy Kehm-Goins © 2021 Troy's Work Table Publishing.

Tuesday, September 28, 2021

O TWILIGHT



"O Twilight," Montana BLACK spray paint, papercut paint chip sample, acrylic paint, and art marker on 4" x 6" recycled cardboard postcard.

One of the cards I sent out as part of my "O Eschaton" series of poems for the 2021 Poetry Postcard Fest.



O TWILIGHT

wildfires beget wildflowers
sprouting out of charred death

while we are refracted in amber light
marbled in smoke beneath a red sun

speak to us O Twilight
of an earlier age—

a moist age, a green age, of foliage
and folly and an age of leisure

rather than of labor to live
and little time to love another



All artwork and poems by Troy Kehm-Goins © 2021 Troy's Work Table Publishing.

Monday, September 27, 2021

O VULGAR LANGUAGE



"O Vulgar Language," Montana BLACK spray paint and iridescent calligraphy ink on 4" x 6" recycled cardboard postcard.

One of the cards I sent out as part of my "O Eschaton" series of poems for the 2021 Poetry Postcard Fest.



O VULGAR LANGUAGE

O Vulgar Language, cursed and uncouth
failure of diplomacy—

languid and loose become
tense and cutting—

clinging to our teeth
with moist and dank phrases—

return to your roots
branch out with new life

speak a grammar of hope
spore a new world.



All artwork and poems by Troy Kehm-Goins © 2021 Troy's Work Table Publishing.

Sunday, September 26, 2021

O GRAPES of WRATH



"O Grapes of Wrath," Montana BLACK spray paint, papercut paint chip sample, and art marker on 4" x 6" recycled cardboard postcard.

One of the cards I sent out as part of my "O Eschaton" series of poems for the 2021 Poetry Postcard Fest.



O GRAPES of WRATH

O Grapes of Wrath
gift of land rescinded—

once granted to use
but never to own

stewardship entrusted
to you and I, one and all

abuse not allowed
prohibited—

except that we chose
bigger barns.



All artwork and poems by Troy Kehm-Goins © 2021 Troy's Work Table Publishing.

Saturday, September 25, 2021

O MYTHIC MOTH



"O Mythic Moth," Montana BLACK spray paint, cardboard, and India ink on 4" x 6" recycled cardboard postcard.

One of the cards I sent out as part of my "O Eschaton" series of poems for the 2021 Poetry Postcard Fest.



O MYTHIC MOTH

O Mythic Moth, holy and firm
you burn incandescent

a beacon of the Ages
warm and welcoming

mystical and mysterious
a constellation transformed

from a cluster of stars
to an unclenched heart

from a glimpse of wings
to a flutter of fabric

ephemeral markings against the wall
outlined in the dust of your life.

(all apologies to Annie Dillard!)



All artwork and poems by Troy Kehm-Goins © 2021 Troy's Work Table Publishing.

Friday, September 24, 2021

O DIMINISHING LIGHT



"O Diminishing Light," Montana BLACK spray paint, art marker, acrylic paint, and mica powder on 4" x 6" recycled cardboard postcard.

One of the cards I sent out as part of my "O Eschaton" series of poems for the 2021 Poetry Postcard Fest.



O DIMINISHING LIGHT

O Diminishing Light, as the sun sinks
below the horizon at the ocean’s edge—

sunset, dusk, twilights three—
civil, nautical, and astronomical—

before night arrives and only soft light
from glowing embers of the beach fire

and faint starlight remain—
earth and heaven attempting to keep

the darkness muted and muzzled
while a group of youth listen to electronic

Indi-pop and laugh and drink
in the sand near the scrub pine and dunes.



All artwork and poems by Troy Kehm-Goins © 2021 Troy's Work Table Publishing.

Thursday, September 23, 2021

O THEOTOKOS



"O Theotokos," Montana BLACK spray paint, acrylic paint, art marker, and iridescent calligraphy ink on 4" x 6" recycled cardboard postcard.

One of the cards I sent out as part of my "O Eschaton" series of poems for the 2021 Poetry Postcard Fest.



O THEOTOKOS

O Theotokos, bearer of God
creation and cosmos clasped at your breast

robed in the blue sky—
cerulean by day and ultramarine by night

spangled with constellations of stars
celestial crown announcing

both your glory
and the burden you bear—

a Pietá of galactic proportions
and entropic stellar form.



All artwork and poems by Troy Kehm-Goins © 2021 Troy's Work Table Publishing.