Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts

Thursday, August 27, 2026

STURGEON MOON



"Sturgeon Moon," Speedball block printing ink, art marker, and found paper on cardboard box panel.

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Today, I observed the full moon by sitting this morning with my lineage temple for a fusatsu ceremony—a time of atonement, repentance, and renewing the bodhisattva precepts/vows I'll take in less than a year.

This evening, I sat with my home temple of South Sound Zen, for one of my "better" sits, which countered last week's body shenanigans.

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Moon's voice is the bell 
calling me to the cushion— 
a body of tides

Saturday, July 11, 2026

LINEAGE



"Lineage," art marker and signature stamp on Montana BLACK spray paint on found cardboard.

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As part of my Buddhist journey toward possibly receiving the bodhisattva precepts, I'm capturing it in art. (I'm required to capture it in writing.)

This is an abstract representation of the lineage chart of buddhas and ancestors, with me at the bottom. My Troy chop mark peeks out of the spray paint haze, indistinct, which I really like.

I think my Mom's Feast Day, and reflecting on my personal lineage, helped solidify concepts that were bouncing around in my head for some time.

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lineage— 
winding blood dragon 
Buddha moon

Thursday, March 26, 2026

SITTING



fading temple bell
the fragrance of flowers strikes
at evening

—Bashō



Tonight's sit with South Sound Zen sangha was a good one. The weather was nice yet people still showed up. Sunset is later so there was still some light in our room, even at the end of sitting. I was asked to serve as doan: ringing bells, keeping time, and leading one chant. We chanted the Sandokai, which was new to me. I discovered the poetry of Korean poet Ko Un. My body felt good throughout the sit, and I left feeling calm.

Monday, March 09, 2026

KANNON



Kannon no
iraka miyari tsu
hana no kumo

—Bashō, spring 1686

•

Goddess of Mercy
the temple roof overlooks
a cloud of blossoms

—trans. Jane Reichhold

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Kannon's tiled temple
roof floats far away in clouds
of cherry blossoms

—trans. Sam Hamill

Thursday, January 08, 2026

TEMPLE



Practice tonight, with South Sound Zen. Zazen. Kinhin. Chanting. The reading of a poem, "[I Saw Myself]" by Lew Welch.

I was the fukudo (temple drummer) this evening.

•

I saw myself
a ring of bone
in the clear stream
of all of it

and vowed,
always to be open to it
that all of it
might flow through

and then heard
“ring of bone” where
ring is what a

bell does

Thursday, November 13, 2025

RYŌKAN



The breath going out, the breath coming in
over and then over again
know that this is itself the proof
that this world never ends

—Ryōkan

•

It was a beautiful day. It was a challenging day.

•

I spent time studying the poetry of Ryōkan. I spent time with The Child. I spent time sitting with my South Sound Zen sangha. I spent time in pain. I spent time reading.

•

Another translation: 

Out breath
and in breath
know that they are
proof that the world
is inexhaustible.

Thursday, April 17, 2025

NATIONAL HAIKU DAY

Happy National Haiku Day. 

My favorite haiku (#816) by my favorite haiku poet Bashō. New Year, 1693.
 




Saturday, December 07, 2024

ADVENT QUIET MORNING



This year's Advent Quiet Morning was probably one of the most difficult to put together. I rely upon my reading throughout the year to provide material for the AQM set lists, but most of my reading this year was Buddhist. So I really had to dig deep to find pieces, and it came down to the wire.

I created small pieces of artwork to accompany each set of readings, which provided me an additional component for this year's participants to focus upon during times of meditation and silence following the Bible passages, poems, essays, and excerpts.



"Holy Ground," acrylic gel print on 4½" x 6½" cardstock.

Holy Ground
  • Exodus 3:1-15.
  • "Dancing with Divine Fire: A Divine Invitation" by Barbara Holmes, from the Center for Action and Contemplation's "Daily Meditations" series.
  • "On Fire, But Not Burned," an online poem by Andrea Skevington.
  • "Visio Divina, August 21, 2024," an online devotion by Scott Erickson.


"Mary," acrylic gel print on 4½" x 6½" cardstock.

Mary
  • Luke 1:26-38.
  • Lyrics from "Let It Be" by The Beatles.
  • Excerpts from "Bring It: A Letter from Mary," chapter ten of Season's Greetings: Christmas Letters from Those Who Were There by Ruth L. Boling.
  • "Fourth Station: Jesus Meets His Mother" from Come to Me, All of You: Stations of the Cross in the Voice of Christ by Amy Ekeh.


"The Light," acrylic gel print on 4½" x 6½" cardstock.

The Light
  • Genesis 1:1-5.
  • Two lines from The Book of Hours I, 44 by Rainer Maria Rilke.
  • Psalm 18:28.
  • Lyrics from "There Is a Light That Never Goes Out" by The Smiths.
  • Psalm 27:1.
  • Psalm 78:14.
  • A quote from Hildegard of Bingen, from Vita Hildergard II.2, 71.
  • Matthew 2:1-12.
  • "Stars," a poem by Marjorie Pickthall.
  • John 1:1-5.
  • Four lines from Auguries of Innocence by William Blake.
  • "A Resurrection Faith: Dawn's Radiant Light" by Father Richard Rohr and Becca Stevens, from the Center for Action and Contemplation's "Daily Meditations" series.
  • Revelation 22:5.
  • Two lines from Holden Evening Prayer.

Saturday, December 02, 2023

ADVENT QUIET MORNING



This morning, I presided over my annual Advent Quiet Morning prayer service. The 2023 version of AQM was one of the most difficult to put together, but I think it was ultimately one of the best presentations. The content was probably the most "conservative" of those I've put together but I think that worked in its favor. It was also the most structured version of AQM, with each of the three sets structured in the same manner: song stanza, scripture passage, devotion/reflection, prayer, poem as part of each.

I used the three verses of the carol "What Child Is This" as the departure point and (loosely) built upon them.

—

The set lists:

Mother
  • Verse one of "What Child Is This."
  • Psalm 139:13-16.
  • "Vulnerability" from Honest Advent by Scott Erickson.
  • "Prayer for Women Who Endured Abortions" from A Book of Uncommon Prayer by Brian Doyle.
  • "A Penitent Considers Another Coming of Mary" by Gwendolyn Brooks.
Manger
  • Verse two of "What Child Is This."
  • Luke 13:31-35.
  • "Jesus Our Mother" from Unscheduled Grace by Katherine Fleck and Matthew Marohl.
  • "God Became a Child" from God Is in the Manger by Dietrich Bonhoeffer.
  • "The Infant Jesus of Prague" by Paul Claudel.
Myrrh
  • Verse three of "What Child Is This."
  • Matthew 2:10-12.
  • "Christmas Joy" by Emmy Arnold, as found in Watch for the Light.
  • "As a Child Enters the World" from To Bless the Space Between Us by John O'Donohue.
  • "Star of the Nativity" by Joseph Brodsky.
—

There was a joint baby shower for three young couples who are expecting infants in December and/or January that followed a couple of hours later in the church. The theme of Advent Quiet Morning was selected prior to this event being scheduled, but the connection was perfect!

 

 

 

Monday, April 17, 2023

OPEN MIC



My friend David and I headed off to the monthly open mic hosted by Creative Colloquy, which is arguably Tacoma's greatest regular literary offering.



I read three new work-in-progress short poems: "Paper Lantern," "Winter of Our Discontent," and "Harpoon." During the various readings, I enjoyed Lucky Envelope Brewing's Peanut Butter Cream Stout, which was excellent and paired magnificently with Theo Organic Sea Salt Dark Chocolate.

Saturday, December 10, 2022

ADVENT QUIET MORNING



This morning, I read poems, pieces, and excerpts from various authors for my annual Advent Quiet Morning. Many of the authors I read this year were those I first encountered as part of my long-distance, by-phone, weekly book club with my friend and reading/conversation partner.

The 2022 version of Advent Quiet Morning ended up in a very different place than I anticipated. First, I broke a bunch of my own arbitrary rules for how this event should look and feel—three sets of readings became four, there ended up being no Lutheran voice, I read more than one piece from two authors. Second, it was delayed by a week due to inclement weather. That meant that in the week between the originally scheduled date and the rescheduled date and time, I discovered a piece that became my favorite piece and the one that really anchored everything for me. Third, due to other events scheduled on the new date, I had to start half an hour earlier than originally planned. That likely caused some confusion for people, many of whom arrived late. I thought it was going up to just be two of us when the time to start arrived, but at the peak of the morning's attendance there were twelve people present. 

It ended up being a powerful morning and moment, filled with prophetic voices, pressing silence, and people resonating with the works.


The set lists for the "Opening (to You)" version of Advent Quiet Morning:

Gate
  • "Psalm 24" by Norman Fischer. From Opening to You: Zen-Inspired Translations of the Psalms.
  • "The Blessed Gates of the City" by Scott Cairns. From Anaphora.
  • Excerpts from "Opening the Gates" by Makoto Fujimura. From Culture Care: Reconnecting with Beauty for Our Common Life.
  • "Psaume 24: A l'Eternel appartient la terre," track three of La Musique de la BIBLE révélée. (Another rule broken: a piece of music.)


Mary
  • "Mary..." by Leila Chatti. From Deluge.
  • "Virgin" by Scott Erickson. From Honest Advent.
  • "Prayer to the Madonna" by Brian Doyle. From A Book of Uncommon Prayer.

Body and Soul
  • "On the Virgin" by Catherine of Siena. From The Divine Hours: Prayers for Autumn and Wintertime.
  • "Beautiful Baby, Beautiful Child (a lullaby)" by Joy Harjo. From Conflict Resolutions for Holy Beings.
  • "Silence" by Scott Erickson. Rough draft from his Instagram account.

Mary II
  • "Goop" by Scott Erickson. From Honest Advent.
  • "Sometimes I Wonder" by Kaitlyn Shetler. From a 2019 online post.
  • "Litany While Reading Scripture in the Gynecologic Oncology Waiting Room" by Leila Chatti. From Deluge.

Friday, July 01, 2022

JAPANESE DEATH POEMS



Poking around at a couple of used bookstores today, The Child pointed out Japanese Death Poems: Written by Zen Monks and Haiku Poets on the Verge of Death to me. It's a book that I've given over the years to a few of my favorite people, but I secretly always wanted my own copy. I missed it while perusing so when The Child turned my attention to it I was elated.

(It's also a perfect fit for my current SWORD/NO SWORD work-in-progress poetry project.)

Sunday, May 01, 2022

(REDISCOVERING) REDISCOVERING PRAYER



I rediscovered a text that I never published here. It was published elsewhere two years ago as part of a series with other participants.

—

TEXTS from the EMPTY TOMB • 05/01/2020
 
“Rediscovering Prayer,” for Friday, May 1.

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After [Jesus] had dismissed the crowds, he went up the mountain by himself to pray. 
—MATTHEW 14:23

After saying farewell to [his disciples], [Jesus] went up on the mountain to pray. 
—MARK 6:46

Now during those days [Jesus] went out to the mountain to pray; and he spent the night in prayer to God. 
—LUKE 6:12

•

The life of Jesus was a prayer. Oh, that my life was likewise a prayer, lived out as a beautiful and breathing thing. Spirit-filled.

•

My prayer life prior to “Stay Home, Stay Healthy” emergency measures had mostly atrophied. Sure, I prayed when I had to. During our weekly staff meetings. With my daughter before she went to bed. (Sometimes.) During worship.

But, for the most part, it had dried up. Withered away.

And then the “global pandemic” known as COVID-19 arrived.

•

When the various components and compartments of my life—work, [The Child's] school, the ability to go somewhere other than my home—collapsed onto my art desk in the basement, because they had nowhere else to be, I took to walking. A lot.

I was wandering everywhere.

One of the places I regularly passed was All Saints Catholic Church in downtown Puyallup. It had the “now familiar” COVID-19 sign on its doors, telling those who read it what All Saints was doing, wasn’t doing, and what the “new normal” in its space entailed.

All masses and gatherings were cancelled. Except that All Saints was providing their sanctuary as a place to pray each day from 3:00 to 6:00 p.m. with proper social distancing. I was curious as to how they could do that.

After my third day of passing by, I decided to check it out for myself. I’ve been praying there every couple of days for a few weeks now.

•

Jesus prayed.

He prayed in the wilderness places. He prayed during his temptation. He prayed in the garden at Gethsemane. He prayed from the cross.

He prayed with his disciples. He prayed for his disciples.

He prayed in the synagogue. He prayed in the Temple. He prayed at the table. He prayed sitting around with his friends, his disciples.

•

Prayer is a rhythm. Like breathing in and out.

•

While my mother was dying and I was keeping vigil each night in the hospital, I prayed with her. When I would end with the Lord’s Prayer, she would mouth the words with me. For all intents and purposes, she was unconscious, unable to respond to me. But when the Lord’s Prayer arrived, something deep within her responded. The Spirit breathed out through her lips with the words that Jesus taught us, with the words she had been praying since she was a child, as a confirmand, as an adult.

It was a moment that I will never forget. It was moments I will never forget, because it happened more than one night.

•

Praying at All Saints allows me a space where I can be alone.

I'm grateful for this Catholic parish being open for prayer each afternoon. It's helping keep me grounded, calm in the midst of "corona chaos."

I walk there as an act prayer. I pray as an act of prayer. I walk back home as an act of prayer.

•

I’ve returned to prayer with a newfound fervor.

I pray the words of the psalms as though I were “slow reading” a play for the first time. Only speak what my eyes can capture, and my mind can hold. A phrase. A verse. A line of a psalm or half a line of a psalm.

Inhalation: lift the words from the page. Exhalation: speak the words to God. In, out. Inhale, exhale. Lift, speak. Pray, pray, pray.

•

With my book of fixed-hour prayers, The Divine Hours: Prayers for Springtime, in my lap, and my prayer beads in my hands, I sit in one of the pews of All Saints Catholic Church and I pray the Midday Office, an amalgamation of the traditional prayer hours of terce, sext, and none.

Rhythm and ritual and refrain. A pattern. A reframing of traditional prayers, prayed for centuries by countless Christians before me.

The Call to Prayer. The Request for Presence. The Greeting. The Refrain (which will be heard three times throughout). A Reading. The Midday Psalm. My own petitions. The Gloria. The Lord’s Prayer. The Prayer Appointed for the Week. The Concluding Prayer of the Church. (I think of them as the “minutes” of the prayer’s “hour.”)

I like these prayers because they anchor my own prayers. A cloud of witnesses who prayed before me, pray with me, and will continue to pray. Those of the Psalmist(s) and the prophet Isaiah, many of the same prayers that Jesus likely prayed.

But also those of Brother Lawrence and Julian of Norwich and St. Francis of Assisi and Martin Luther and theologians and hymnwriters and faith-filled lay people.

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“Prayer is the little implement / Through which Men reach,” writes the poet Emily Dickinson. “Pray without ceasing,” the Apostle Paul writes to the Thessalonians. We must pray. We must breathe. We must let the Spirit speak through us.

If this is indeed true, then why are we always holding our breath?

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“Lord, teach us to pray,” the disciples ask of Jesus. Jesus teaches them.

He bestows the words of the Lord’s Prayer upon them, just as he bestowed them upon the church fathers and the church mothers and my own mother and myself and you.

I weave these words into the prayers of others and those of my own, as I sit in a Puyallup sanctuary on a quiet afternoon, near (but not too near) to two or three people who are also praying.

And these are the words I pray, they pray, we now pray:

Our Father in heaven, hallowed be your name, your kingdom come, your will be done, on earth as in heaven. Give us today our daily bread. Forgive us our sins as we forgive those who sin against us. Save us from the time of trial and deliver us from evil. For the kingdom, the power, and the glory are yours, now and forever. Amen.

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Image: “Praying Mary,” photograph, 2020, by Troy Kehm-Goins. Garden at All Saints Catholic Church, Puyallup.

Tuesday, April 26, 2022

PURPLE BELT



"Each pattern / is a poem // we are / the punctuation."
 
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Text: Opening lines of the opening poem, "Kata," of a work in progress. It has been slowly unfurling itself in my brain after qigong and karate morning workouts.

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Image: "Opening lines" of the Heian Sandan kata.

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If my life at work was difficult in the weeks leading up to Holy Week, it was further complicated by the fact that I was testing for various components of the requirements for my purple belt in Shotokan karate. And, the weekend after Easter, I took the actual purple belt test.

I was glad to finally test and earn my purple belt.

I struggled a bit on my weapons kata, but otherwise I felt I performed well. I know the places I will continue to encounter challenges and the things I need to work on with extra effort. But that is why this is a journey without a destination, a marathon and not a sprint.

Tuesday, March 22, 2022

THE TWOFOLD WAY



"It is said the warrior's is the twofold Way of pen and sword, and he should have a taste for both Ways...Generally speaking, the Way of the warrior is resolute acceptance of death."

—Miyamoto Musashi, Go Rin No Sho (A Book of Five Rings)

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"Were not the imagination and swordmanship the same insofar as they were techniques nurtured by a familiarity with death?"

—Yukio Mishima, Sun and Steel

Friday, March 18, 2022

A DAY

"A Day: Two Images, Two Machines"
a visual poem by Troy's Work Table



I. Lawn mower. Morning. Mowing the back yard.



II. "The Beast." Evening. Cleaning the mat tiles in the dojo.

Saturday, February 05, 2022

THE BOUNTY



This morning, I participated in "Outside the System: Using Blackout Poetry to Explore the Relationship Between Motherhood, Money, and Capitalism," a writing workshop facilitated by Christina Vega of Blue Cactus Press and hosted by Creative Colloquy.

I ended up creating a poem ("The Bounty") using two sources—a paragraph from "Doubloon," chapter 99 of Moby-Dick by Herman Melville and language and lines from a section of the recent Texas "abortion bounty" bill.

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The workshop was intense. It also allowed me permission to think differently about erasure/blackout poems and how to create them.

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"The Bounty" is related to my recent postcard poem series, "O Eschaton."

It is also related to my poem "Funeral," published by Creative Colloquy.

Wednesday, January 26, 2022

NEW FRIEND, NEW YEAR



A new friend for my office desk: a money tree in celebration of the upcoming Lunar New Year.

It joins "A Center," a poem by novelist Ha Jin, to give a Zen flavor to one corner of my desk.

—

A CENTER

You must hold your quiet center,
where you do what only you can do.
If others call you a maniac or a fool,
just let them wag their tongues.
If some praise your perseverance,
don’t feel too happy about it—
only solitude is your lasting friend.

Wednesday, January 12, 2022

BANDED CLOUDS



Bonsai revels
beneath banded clouds

trained branches
raised in brash Alleluias.

Sunday, October 03, 2021

O CONSTANT WATCH



"O Constant Watch," Montana BLACK spray paint, acrylic paint, India ink, art marker, and pencil on 4" x 6" recycled cardboard postcard.

One of the cards I sent out as part of my "O Eschaton" series of poems for the 2021 Poetry Postcard Fest.

—

O CONSTANT WATCH

O Constant Watch, the all-seeing eye
of red-light cameras and solar-powered

speed information displays
ATM electronic beams

and grocery store self-checkout video.
Smile! Slow! Status quo!

A miniature drone peers
in your bedroom window

to catch glimpses of naked flesh
or one of your online passwords.

Rise up! Resist! Rebel!
“I’m sorry, Dave. I’m afraid I can’t do that.”

—

All artwork and poems by Troy Kehm-Goins © 2021 Troy's Work Table Publishing.