Friday, June 26, 2015

FROST PARK: YMIR


"Ymir" by Troy's Work Table. Carport chalking for Friday 26 June 2015.

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The Norse creation myths have the world of humans (Midgard) being formed out of the body of Ymir, a giant born of the primordial ice of Ginnungagap and later slain by Odin and his two brothers. These three then fashioned Ymir's body into the various elements of the world.

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I've taken some liberties with how Ymir's body was repurposed, partly aligning it with a medieval cosmological model I recently encountered. Therefore, I've made a band of ocean/sky out of the bone of Ymir's skull and flames out of his hair to represent the "northern" Niflheim and the "southern" Muspelheim.

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Plus I've added some tree for stubble on his upper lip.

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But otherwise, I tried to stay mostly faithful to the intent of the story.

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This is a fairly large piece, with Ymir's head being about five feet in both width and height.

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You can view more pictures of Ymir HERE.

Sunday, June 07, 2015

NOUNS


Screenshot of the website of Meghan McClure. 

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Meghan McClure is poet, essayist, and editor.

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She also curates one of the most consistently interesting digests/reviews of literature and art.

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She titles each "exhibit" Nouns, although they could easily be titled Dreams. But these aren't your grandmother's dreams, nor are they always comforting. They are, however, always filled with challenge and wonder—a way of instruction in seeing the world; a reminder to keep one's eyes, ears, and heart open to that which one may easily encounter but often overlooks or misses.

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The images she selects and the text captions/summaries that serve as "points of departure" are beautiful in their own right. Stanzas of an elaborate poem.

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These are items you perhaps wouldn't have discovered otherwise, so each is a prized gem. This is the New City adorned in jewels and riches. Enter, read, and reflect.

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View her most recent "exhibit," Nouns XXII HERE.

Friday, June 05, 2015

GHOSTS of GAUGUIN


"Ghosts of Gauguin" by Troy's Work Table. Carport chalking for Friday 05 June 2015.

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If you put the words "Tahiti" and "Gauguin" into a search engine, the resulting collection of images looks something like THIS.

It's a collage of Fauvist dream imagery.

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The yellows and greens of the land and flora. The yellow-browns of Tahitian bodies. The oranges of homes. The reds and browns of soil, rock, mountain. The brilliant blue of the sky and the pure white of clouds that inhabit it.

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The white, yellow, and red flowers adorning the heads of women—solitary blossoms, duos, halos.

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Fruit, palms, animals.

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The beauty of the land, the people, and the interplay.

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My chalk can merely capture the ghosts of all in pale imitation. I try for homage, but fail.

(I actually turned to one of Gauguin's wood sculptures for primary inspiration, with the paintings as secondary flavoring.)

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View more pictures of "Ghosts of Gauguin" HERE.

Friday, May 29, 2015

EMERALD ELK, BLACK TRUMPETS


"Emerald Elk, Black Trumpets" by Troy's Work Table. Carport chalking for Friday 29 May 2015.

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These elk and their accompanying giant black trumpet mushrooms were inspired by painter Albert Bierstadt, naturalist and painter John James Audubon, and author Jeff Vandermeer.

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They are also part of a poem cycle I am currently writing.

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This piece is about ten feet wide and took just under an hour to complete.

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Detail of "Emerald Elk, Black Trumpets." Right bugling bull. AKA the fifth trumpet.

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View more pictures of "Emerald Elk" HERE.

Thursday, May 28, 2015

WIRE at NEUMO'S


Early in the concert.

[1] "Blogging" • Wire
[2] "Joust & Jostle" • Wire
[3] "Silk Skin Paws" • A Bell Is a Cup Until It Is Struck
[4] "Boiling Boy" • A Bell Is a Cup Until It Is Struck
[5] "Mekon Headman" • Object 47

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Graham Lewis and Colin Newman both on the mic.

[6] "Burning Bridges" • Wire
[7] "High" • Wire
[8] "In Manchester" • Wire
[9] "Sleep-walking" • Wire
[10] "Shifting" • Wire

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Playing "Stealth of a Stork. The bass and guitar attack rattles the camera!

[11] "Stealth of a Stork" • Change Becomes Us
[12] "Split Your Ends" • Wire
[13] "Octopus" • Wire
[14] "Blessed State" • 154
[15] "Swallow" • Wire

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Playing "Harpooned."

[16] "Harpooned" • Wire
encore
[17] "Brazil" • Pink Flag
[18] "Adore Your Island" • Change Becomes Us
[19] "Used To" • Chairs Missing

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Wednesday 27 May 2015. Wire at Neumo's of Seattle. 1 hour, 35 minutes of pure art-punk sonic assault. Founding members Colin Newman (vocals, rhythm guitar); Graham Lewis (bass, vocals); and Robert Grey (drums) were joined on stage by new lead guitarist Matthew Simms.

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Having seen Wire in concert twice before, in May 2000 and September 2002, both at the Showbox, and both with original lead guitarist Bruce Gilbert, I was really intrigued for what the band would bring to this venue. First, they owned the room. Second, I was glad I brought earplugs with me. I needed them on quite a few of the songs to help limit the blast my ears took. Third, Matthew Simms is a completely different guitarist from Bruce Gilbert, even though he can get similar sounds out of his instrument. Bruce was insular and tended to turn away from the crowd and almost meditate on his guitar. Matthew faced the audience, was almost manic at times, and occasionally "threw" his guitar around to achieve some of the dissonant whale song and squall that the songs required. It was beautiful to watch.

On top of that, Robert, Graham, and Colin were in the finest form that I've seen them. They were loose and focused, confident and carefree, and they played with fervor and abandon. Robert is a human metronome; he kept the beat and kept the band together as they ran over the crowd. Colin obviously enjoys his role as lead vocalist; he is the showman of the group. Graham revels in the songs he gets to sing lead vocals on; and "Mekon Headman" and "Blessed State" made that clear.

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Since Matthew Simms is now a full-fledged member of the group, and Wire's fourteenth studio album (the eponymously-named Wire) sees him included in the songwriting rather than as touring guitarist or hired hand, it made sense that the show was heavily weighted toward the new album. I was surprised that they played the entire album, however. It was a pleasant surprise.

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The other surprise was when they started in with "Silk Skin Paws." Many of the twenty-somethings, who had been bobbing their heads along to the Wire material, seemed unfamiliar with it and fellow A Bell Is a Cup track "Boiling Boy," which were staples of my early twenties.

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All in all, it was a wonderful evening with my all-time favorite band. I almost didn't go. I am really glad that I did.

Tuesday, May 26, 2015

IMMORTAN JOE


"Immortan Joe" by Troy's Work Table. Chalkboard chalking for Tuesday 26 May 2015. Mad Max: Fury Road warlord.

Monday, May 25, 2015

SLIT


"Slit" by Troy's Work Table. Carport chalking for Monday 25 May 2015. One of the Warboys from Mad Max: Fury Road.

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Mad Max: Fury Road was an off-the-charts rush. It was a movie unlike anything I've ever seen and I've seen The Road Warrior so many times that it's unhealthy! MM:FR is TRW squared.

Needless to say, I needed to sketch a couple of the main Warboys in chalk.

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View more of Slit and Nux HERE.

Saturday, May 23, 2015

SHILOH: A REQUIEM


The Wife planted flowers in Puyallup's Veterans Park for Memorial Day.

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Shiloh.
A Requiem.
(April, 1862.)

Skimming lightly, wheeling still,
     The swallows fly low
Over the field in clouded days,
     The forest-field of Shiloh—
Over the field where April rain
Solaced the parched ones stretched in pain
Through the pause of night
That followed the Sunday fight
     Around the church of Shiloh—
The church so lone, the log-built one,
That echoed to many a parting groan
          And natural prayer
     Of dying foemen mingled there—
Foemen at morn, but friends at eve—
     Fame or country least their care:
(What like a bullet can undeceive!)
     But now they lie low,
While over them the swallows skim,
     And all is hushed at Shiloh.

—"Shiloh" from Battle-Pieces and Aspects of the War by Herman Melville

BATTLE-PIECES

The Battle-Pieces
in this volume are dedicated
to the memory of the
Three Hundred Thousand
who in the war
for the maintenance of the Union
fell devotedly
under the flag of their fathers.

—dedication of Battle-Pieces and Aspects of the War, 1866, by Herman Melville