Friday, November 07, 2025

FRANKENSTEIN



Frankenstein (2025) directed by Guillermo del Toro. This is a visually stunning film with some wonderful special effects. There are some derivations from the novel, but the core story and themes still shine through. Oscar Isaacs does well as Victor Frankenstein, having played this role once before in Ex Machina. Jacob Elordi brings a tenderness to the Creature that transforms into grief and loss and rage as the film progresses. Knowledge kills!
 
Streaming on Netflix.


The way that a pack of wolves is portrayed in the film is my main complaint. It play into the clichés and tropes of wolves that have been put forth throughout most of European history. The wolves here are bloodthirsty and violent. They display a projection of human violence onto them that has been discredited by modern science. It's a shame that del Toro falls into the easy trap of the mythic marauding predatory wolf.


It's also interesting that del Toro shifts any violence perpetrated by the Creature to Victor Frankenstein. The blood is literally on Victor's hands, as well as figuratively since he wears red leather gloves throughout the film.

BUGONIA



Bugonia (2025) directed by Yorgos Lanthimos. What the hell, Yorgos? This film is dumb and unnecessarily cruel. There is a low-grade tension that churns beneath the surface of the entire film, similar to Uncut Gems, which makes it an unpleasant experience. I love most of the Lanthimos oeuvre, but I was glad when this was over. I think part of the problem is that the "satire" is too close to our current cultural situation to really work as satire. The black humor is all black and no humor, almost nihilistic. No thank you.

Viewed at Tacoma's Grand Cinema.

Saturday, November 01, 2025

NOVEMBER



"Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off—then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball."
—from "Loomings" (chapter I) of Moby-Dick by Herman Melville.

“November always seemed to me the Norway of the year”
—Emily Dickinson.

Saturday, October 18, 2025

THE LONELIEST WHALE



The Loneliest Whale: The Search for 52 (2021) directed by Joshua Zeman. A documentary that is part scientific mystery and part expedition, in an attempt to find the "needle in a haystack" theorized whale behind a 52-hertz song that is in a range not used by either blue whales or fin whales. Be prepared for whale songs, a clarinet, acoustic buoys, noise pollution, nature versus human interference ,and plenty of open sea. It's a fascinating film filled with loss and failure and a glimmer of hope amongst its academia and scientific method. Thar she (or he) blows!

Streaming on Netflix.

Friday, October 17, 2025

SAFFRON HEART



Saffron Heart (2018) directed by Paul McLay. This coming -of-age film follows ten-year-old novice monk Lobsang as he enters the Drepung Gomang Monastery. He is given a map of eight puzzle treasures to solve by his teacher, after he attempts to run away to home multiple times. He is befriended by twenty-year-old monk Tashi who acts as mentor even as he is perhaps an older version of Lobsang. We learn Buddhist teachings alongside Lobsang. Serious moments are often punctuated by moments of illness or death or humor or surprise, just as in real life. This is a sweet, wonderful film filled with color and joy. Highly recommended.

This is the October 2025 selection of the Tricycle Film Club.

Tuesday, October 07, 2025

SLOW FOOD and SLOW READING



It was a "slow" night. It was a bachelor night.



After work, I sat (virtually) with my Zen sangha. We meditated and then discussed a koan ("The Old Woman Steals Zhaozhou's Bamboo Shoots," China, ninth century) and related commentary (by Furyu Nancy Schroeder). I love these Tuesday night conversations because I always learn something, and typically from every other participant. They each notice something that I don't.



Then it was off to reading while eating. I ordered my favorite pho—wok-seared beef and egg yolk—both of which add immensely to the flavor profile. I ate and read sections of Suzuki's Becoming Yourself. I ate slowly, savoring both soup and text. It was a wonderful meal.


The evening ended with more reading and more reflection at home.

Monday, October 06, 2025

PIERCE



"Pierce." Day Six of Inktober.

This is my favorite piece of Inktober 2025 so far.

A piercing stare. A piercing hand (in shuto).

Thursday, October 02, 2025

WEAVE



"Weave." Day Two of Inktober.

I'm just having fun with art markers. I'm playing and trying to not take myself too serious.

Tuesday, September 30, 2025

THE LOWDOWN



The Lowdown (2025) created by Sterling Harjo. Ethan Hawke is in his element as Lee Raybon, a rabble-rouser writer/journalist/bookseller in Tulsa, Oklahoma. He's "investigating" the suicide of a politician's brother as he digs around in the underbelly of the city and it's environs. It's smart, funny, raunchy, and mysterious. The ensemble cast seems to be having a great time.

I'm three episodes in so far and enjoying it.

Watched on FX.

Monday, September 29, 2025

BECOMING YOURSELF



"It is easy to explain what Suzuki Roshi does not mean by [the practice of "becoming yourself"]. He does not mean perfecting your self-image or cultivating a unique style to broadcast. He does not mean learning how to be who other people think you are, or even who you think you are or should be. He does not mean trying to get a handle on who you are. Don't try to figure out who you are."

—Jiryu Rutschman-Byler



"Our way of sitting is to become yourself."

—Shunryu Suzuki



I sit. I sit to become myself. I sit in the lineage of Shunryu Suzuki, who introduced Soto Zen to America. I sit in the lineage of Dogen, the founder of Soto Zen. I sit in the lineage of Daruma, the founder of Chan (Zen).



Becoming Yourself (2025) is published 54 years after Suzuki's death and 55 years after his seminal Zen Mind, Beginner's Mind. In it's best passages, Becoming Yourself reads a lot like the works of Dogen, which I find compelling and challenging.

Thursday, September 25, 2025

MOMENT



"Accepting each moment as a brand-new moment is what is meant by beginner’s mind. What you are experiencing may be similar to what you have experienced before, but it is not the same."

Illumination by Rebecca Li



Tonight was a "beginner's mind" sit for me. My Zen group filled the room, so I was seated on a meditation bench rather than a cushion. The incense irritated my throat a bit during walking meditation. But it was wonderful to simply sit alone together. I ran sword meditation drills through my head as a focus. It was a beautiful moment.

Tuesday, September 23, 2025

ALIEN: EARTH



Alien: Earth (2025) episodes 1 and 2. It feels as though it may have bitten off more than it can chew, let alone digest, but we shall see. It's informed by a lot of other films and stories—the Alien films (of course), Peter Pan, Blade Runner, A.I.: Artificial Intelligence, Towering Inferno, Star Trek:The Wrath of Khan, X-Men and/or New Mutants, Noah's Ark, and many more. There are some good performances. The Alien is allowed to run around and slaughter with gleeful abandon, although I'm not sure it works well here.

Topical themes also appear: bratty billionaires, the pros/cons of artificial intelligence, 9/11, corporatocracy, genetic manipulation, environmental degradation, invasive species, what it means to be human.

It will be interesting to watch where this storyline goes and if it turns out to be a strong entry in the Alien franchise.

Watched on FX. (Also streaming on Hulu.)



Xenomorph says, "Episode 3 of Alien: Earth shows this series (so far) to be a beautiful spectacle, but also really dumb and mostly boring." Will I make it to the end? It remains to be seen.



Alien: Earth episode six = DUMB.


Episode 7 amps up the action, but also the stupidity. The decisions made by all the characters—each and every one, characters and decisions—just don't make sense. And Wendy controlling the xenomorph through a series of clicks is absolutely ridiculous.


Episode 8 is the most ridiculous of all. And tiring. Just let it be. Please, no more seasons.

Let the dead kids be dead. Let the dead scientist be dead. Let the series be dead.

Sunday, September 21, 2025

DEVO



DEVO (2024) directed by Chris Smith. This documentary of the band is a good introduction to their music and, more importantly, their message. It features a lot of commentary by Jerry Casale and Mark Motherbaugh, with other band members and people important to the band occasionally speaking, although mostly from archival footage for the latter. The use of clips from DEVO's own films is a bit confusing, especially if one is unfamiliar with them. But all in all it's a "good thing, a very good thing."

Streaming on Netflix.

Sunday, September 14, 2025

PIG



Pig (2021) directed by Michael Sarnoski. Nicolas Cage and Alex Wolff give stellar performances in this film about a truffle hunter and his prized pig. It's a story of love and loss and grief. It's a story of friendship. It's a low-key zombie flick. (Seriously. Watch it. Reflect upon it. You'll "see" it.) The sound design, especially in the scenes with the pig, is wonderful. Occasional hand-held camera work sets itself apart from long static or tracking shots. I liked this film quite a bit.

Streaming on Netflix.

Friday, September 12, 2025

ILLUMINATION



Sunset. Backyard dojo. Sword meditation with 舌 / shita.

"Think about this: You always have your body with you. This makes it a wonderful meditation tool because, guess what? Your body can only be here in the present moment. Your body cannot be someplace else in the future, and it cannot return to the past. You are here. Body and mind are intimately connected. This is why it is precious to have the body to practice with, so make use of it. Be grateful your mind can always follow your body back to the present moment." 
Illumination by Rebecca Li

Thursday, September 11, 2025

ILLUMINATION



"There is a story that when someone asked Zen Master Shunryū Suzuki, 'What is enlightenment?' he replied, 'Enlightenment? I do not believe you will like it.'"



Tonight, I told my Buddhist Reading Group that I "felt seen" while reading Illumination by Rebecca Li. It examines the obstacles and challenges one can encounter during Chan (Zen) meditation. And I have experienced them all, in one form or another. But it's also a good way to check one's practice and revisit the concept of "beginner's mind." Knowing what one is doing, whether for good or ill, allows for clarity and awareness.

Friday, September 05, 2025

KRUSTY PUP



This is what $22.25 worth of Fair food looks like. It's also my last Krusty Pup meal. 

The Krusty Pup batter was undercooked. The curly fries were overcooked and mostly ends and bits. Which is bullshit for the amount of money I paid. (I almost didn't.)


In the past, an additional kids Krusty Pup Meal also factored into the price.

Wednesday, September 03, 2025

THE HIDDEN LAMP



"This collection is for everyone who is looking to complete the broken circle that exists in all our great religions—and in our hearts and world." 
—Zoketsu Norman Fischer, from the Foreword

The Hidden Lamp: Stories from Twenty-Five Centuries of Awakened Women, edited by Florence Caplow and Susan Moon



The meditation community I've joined, South Sound Zen, exists in two versions. There is an in-person Thursday group that sits zazen in two 25-minute sessions, walks kinhin for 10 minutes, chants, and hears a brief shared reading. This is a recent incarnation, and how I typically participate. But there is also an original online Tuesday version that sits briefly (10 to 15 minutes) and discusses various Buddhist readings and teachings for the rest of the hour. I was able to participate in the Tuesday offering for the first time and it sang to me.

I enjoyed the reading of a koan, and accompanying commentary, from The Hidden Lamp, as well as the discussion that followed. Everyone was invited to share their thoughts on the reading, which was welcomed, as I would have otherwise likely just listened. The gentle nudge to share what I encountered in the text, made me see it anew. The observations of others helped to deepen the text even more. It was exactly what I've been searching for the past few months, so I purchased a copy of the current book and am ready to sit again next Tuesday.

Tuesday, September 02, 2025

COLONOSCOPY



The reward for a colonoscopy and its accompanying preparations was a bacon cheeseburger from Five Guys. And. It. Was. So. Damn. Good.


Medical personnel need to be more upfront about what preparation for a colonoscopy entails. They need to be graphic and let you know exactly what is going to happen to your body as it purges yourself. (For instance, are you going to be "urinating" out of your ass? Yes. I wasn't quite ready for that.)

Monday, September 01, 2025

MY OLD ASS



My Old Ass (2024) directed by Megan Park. It's a coming-of-age film, that's also a little bit rom-com and a little bit of time travel. Think Freaky Friday, but with one's self. It's about longing and loss and growing up. Ultimately, though, it's about living in, and for, the present moment. 

Streamed on Amazon Prime.

Sunday, August 31, 2025

LICORICE PIZZA



Licorice Pizza (2021) directed by Paul Thomas Anderson. This coming-of-age romantic comedy shares some DNA with Anderson's Punch-Drunk Love, one of my all-time favorite films. It also shares some DNA with Dazed and Confused. But what is a "licorice pizza?" I'm guessing it's two things that are great on their own but likely not together. Or, perhaps an acquired taste. Things are beautiful and moving along and then something, usually an unexpected eruption of violence, shifts things. Although set in the 1970s, it also frequently nods to classic Hollywood. (And not always favorably.) I liked it. A lot. 
 
Streaming on Prime Video.

Wednesday, August 27, 2025

UKIYO-E



I have enjoyed visiting the Echoes of the Floating World exhibit at the Tacoma Art Museum multiple times, discovering something new each time.

This time, I was intrigued by woodblock prints by Kawanabe Kyosai, especially the one featured above, in detail. The museum has this triptych of prints titled as Comic One Million Turns of the Rosary. A book of prints I own titles it Comic Infinite Prayers. (Po-tay-to, po-tah-to, the joys of translation.)

The piece is political, expressing world events of 1864, and I'm glad for commentary from the museum and my book or I would have no idea what was going on. It's beautiful and weird, in its own right, but having a cultural context helps to infuse the print with even more power.

Sunday, August 24, 2025

VERNARDO'S CIRCUS

The circus came to Tacoma. Vernardo's set up their tent at the edge of Point Defiance Park. Their show was a good mix of acrobatics, juggling and other shenanigans, and showmanship.



















Saturday, August 23, 2025

THE DEAD DON'T DIE



The Dead Don't Die (2019) directed by Jim Jarmusch. This is a zombie flick. It's also very much a Jim Jarmusch flick. It has a leisurely pace, deadpan humor, and breaks the fourth wall on occasion. It also has a few welcome surprises. This won't work for everyone but it works for me. 

Streaming on Netflix.

Sunday, August 17, 2025

BARBARIAN



Barbarian (2022) directed by Zach Cregger. This is Cregger's first film, preceding Weapons, and it likewise nods to various films while taking those influences and "Frankenstein-ing" them into its own monster. Think The People Under the Stairs. Think The Texas Chainsaw Massacre. Think the Buffalo Bill portion of Silence of the Lambs. Think the Morlocks from The Time Machine. There are also contemporary topics scattered throughout—urban blight, celebrity, accusations of rape, rental properties, always being in control of your drink. Bill Skarsgård's character is played well. This film has so many twists and turns, constantly undercutting our expectations. Excellent.

Will I ever stay in an Airbnb? Probably not after watching this.

(And you never go back into the fucking house!)

Streaming on Netflix.

Saturday, August 16, 2025

HEREDITARY



Hereditary (2018) directed by Ari Aster. I needed to see this again, in the context of Weapons. I think they complement one another well. Aster foreshadows everything that will happen in the film, and most of it early. This is a well-crafted movie that almost requires, and definitely rewards, multiple viewings.

A masterpiece.

Viewed on DVD.

Friday, August 15, 2025

NOPE



Nope (2022) directed by Jordan Peele. There's no way to talk about this film without spoiling it, SO READ NO FURTHER if you have yet to see it.

I went into this blind so I didn't know what to expect. It's a rather different film from both Get Out and Us. The creature design is spectacular. This is Lovecraftian cosmic horror but with humans just serving as snacks. In many ways, it's a meditation on film and the film industry. Strangely enough, even though this film and Weapons share very little in common, they are similarly structured and presented, and build their tension and stories in a parallel manner. It plays across genres, dipping its toes in science fiction, horror, and westerns.

It takes a close encounter with a UFO and plays with it, which is perhaps the most intriguing element for me.

Can we control animals? Even those that are domesticated? (Better yet, do we have control over anything?) Can we control ourselves?

I liked it.

Viewed on DVD.

Saturday, August 09, 2025

WEAPONS



Weapons (2025) directed by Zach Cregger. O.M.G. This psychological/mystery horror film is a slow burn until it isn't. Then it goes a bit batshit crazy. I went in knowing absolutely NOTHING about the film except for the fifteen-second teaser trailer from which the above image comes. I liked this film a lot.

There are nods to, and echoes of, plenty of other horror films, intentional or not. The People Under the Stairs. A Nightmare on Elm Street. It. Lost Highway. It Follows. The Exorcist. There are even some Stranger Things and The Scarlet Letter vibes. But it is definitely its own beast and work of art. And it may be trying to say something about school shootings. (Or at least I thought so until about halfway through.)

Chapters of the film show pieces of the story through the POV of one character or another. However scenes may or may not exactly line up the same way when in one chapter versus another. I think this is intentional, and it works well.

Seen at Regal Cinemas. (It had been a long time since I watched a movie in a "big box" theater.)

Wednesday, July 23, 2025

DARUMA DOLL DUEL



From left to right: 
A = "Old Man of the Sea" by The Child.
B = "Daruma the Grouch" by Troy's Work Table.
C = "No Face" by The Child. 
D = "Bert-i-dharma" by Troy's Work Table.


The Child and Troy's Work Table had a Daruma Doll Duel. The rules? Each participant had to create and two Daruma art pieces, one of which used a liter Coca-Cola bottle as a canvas, the other of which could be another bottle or can. Bottles and cans had a base coat of Montana Black Spray Paint, but any medium could be used. Participants had two weeks to work on pieces. They were then voted on by Instagram followers over a period of a week.

Troy's Work Table had his ass handed to him! The voting was ranked, so every voter had to vote for all four: first choice was awarded five points, second choice was awarded three points, third choice was awarded two points, and fourth choice was awarded one point. Points were tallied and compiled. The combined scores of The Child's two pieces were essentially double the combined scores of TWT's two pieces.


In addition to acrylic paint, "Old Man and the Sea" includes a sculpted clay nose, eye sockets, and fish. Translucent white marbles were used for eyes. "Bert-i-dharma" includes papercut hands in two slightly different colors of yellow to provide a three-dimensional element. 

Thursday, July 17, 2025

WEIGHING EMPTINESS



"The situation of being left high up in midair is indeed terrifying and maddening existentially, for knowing that things, ideas, and values have no self-nature and that there is nothing whatsoever to cling to is an unbearable threat to our whole way of life. It deconstructs our conventional worldviews so relentlessly that nothing is left to rely on and feel certain of. And yet, this is precisely what practitioners must grapple with—a complete collapse of the reificational way of thinking and its implications. Only then can they realize a truly liberating, responsible religiosity."

—page 44, "Weighing Emptiness," Dōgen on Meditation and Thinking: A Reflection on His View of Zen by Hee-Jin Kim


For the past year or so, the Zen notion of "emptiness" keeps bubbling up in my thoughts. 空 / can mean sky or emptiness or the air or space. So this notion of suspended in  is terrifying. The related concept of 無 / mu which can mean nothingness or to be non-existent or void is likewise terrifying in its own right. So when I encountered the essay "Weighing Emptiness" by Hee-Jin Kim on a research visit to Pacific Lutheran University's Mortvedt Library, I knew I needed to spend some time with the book in which it is found and all six essays. (I've made it through the first three.)


Hee-Jin Kim is as erudite and dense and chewy and mind-blowing and compelling as I find Dōgen to be. Kim's commentary is an order of magnitude more accessible, however, which is helpful.


In the quote above, I'm reminded of Christ's kenosis, his self-emptying referred to in Philippians 2:7. "[Christ] made himself nothing by taking the very nature of a servant, being made in human likeness." I'm also reminded of Pip floating in the vast expanse of the sea in "The Castaway," chapter 93, of Moby-Dick by Herman Melville. "The sea had jeeringly kept [Pip's] finite body up, but drowned the infinite of his soul...and therefore his shipmates called him mad...So man's insanity is heaven's sense..." To be stretched out between the mortal realm and the heavens, as Christ on the cross or Pip in the indifferent void of unbound ocean, as though hanging over the abyss (as one actually is) and to be aware of such, is likely to unhinge one's mind from the mundane, the ordinary, the everyday. Encountering emptiness, and the very ground of being, as one who is part of that emptiness yet differentiated (or so it would seem) from it, would appear to open up a "wound" in one's being. A separation. A gulf.

Then it gets more personal. (Or less personal, perhaps.)

When I broke my arm, the existential crisis it presented left me two responses. As my arm hung in space, swinging like a pendulum that I could not control, I knew I needed to get to the ground so that I didn't pass out. (While my arm may have been suspended in space, apparently the rest of my body was not.) That was the first response. The second response was to scream—because of the pain, because of the rupture from what I expected versus what was happening, from the break that occurred that was more than just physical damage. I continued to scream and scream and scream. I did so until the EMTs that arrived gave me ketamine to quiet me. That was after the morphine.

Either the combination of morphine and ketamine or, more likely, an accidental overdose of ketamine, provided further rupture. "Troy" continued to do things in "my" absence. I learned of interactions and conversations between medical personnel and "myself" that I do not remember. Some of it is on video or I wouldn't believe it. So who is it that had those conversations? Were they patterned responses? Did "I" reside elsewhere while my physical appearance acted on "my" behalf? Did "I" return to the "Ground of Being," "emptiness," "God" for a few moments before "I" differentiated once again? Were there two representations of "Troy" due to the break; was I fractured as an echo of the structural "collapse" of part of my body?

Since the break, I have relived it every night in my dreams. I break my arm every night. Every damn night. And it is "real." Is it as real as the first time? Maybe. I don't really know. But it is traumatic each time, and I wish it would cease. Yet it continues. Each night, I experience "the situation of being left high up in midair" and it is terrifying. While the physical scars slowly recede, partly due to the invasive (yet elected) insertion of a titanium nail into the center of my arm and healing and rehabilitative exercises and time, I'm not certain that the psychic scars decrease. I continue to hang.


I continue to read and reflect. As I absorb the words of Kim and Dōgen, I embody them and manifest them. I stitch them into my very being. May I soon know the meaning of "emptiness." I think I'm getting there, but I still have some distance to travel.

Thursday, July 10, 2025

SWIM FREE 2025



"Swim Free (2025)." Acrylic on spray-painted Coke can.

On the eighth anniversary of my mother's Feast Day, I had no plans other than getting together with my family for dinner. But then a spark of inspiration hit a couple hours before we were to leave. So I painted an octopus on an aluminum can, using silicone brushes.

I left the can at the Bremerton Art Walls, where I've painted other "Swim Free" pieces on prior Feast Days.

Then it was time to enjoy the best pizza, Spiro's in Silverdale, and remember my mother in conversation.

Friday, June 27, 2025

THE TASTE NW

We visited The Taste NW and "got our food on." My evening ended up having a Korean flavor to it, literally, and that was an absolute delight.



My appetizer was a Korean Cheese Dog from Puffle Up. I had the OG Cheese Dog which is a deep fried mozzarella cheese "dog" coated with sugar, ketchup, and mustard. The sweet of the sugar matches so well with the acidity of the mustard and ketchup. This is essentially a heart attack on a stick, but so worth it.



My entrée was an excellent Bulgogi Bowl from Seoul Bowl. The Korean-barbecued beef and rice were topped with sweet Asian salad, kimchi, and sweet chili sauce on top. There were other toppings available, but this was a good mix—once again balancing sweet with acidic, as well as spicy heat with cool umami.

 
Sampled by at least one of us during our evening: 
  • Korean Cheese Dogs.
  • Korean Bulgogi Bowl.
  • Pork Bao.
  • Po Boy Sandwich and Fries.
  • Pineapple Dole Whip.
  • Critical Hit "Bugbear" Soda.
  • Tanghulu Sugar-Glazed Fruit Kabobs.

Friday, June 20, 2025

SUNRISE on the REAPING



Sunrise on the Reaping (2025) by Suzanne Collins is the fifth book in the series of Hunger Games novels, and the second prequel to the original trilogy. The story is that of Haymitch Abernathy and his turn as tribute in the Second Quarter Quell of games, twenty-five years prior to those featuring Katniss Everdeen. Collins does an excellent job of adding further texture to her world of Panem and highlighting the tension between the Capitol and the Districts. The presence of President Coriolanus Snow is felt more than seen, but he is a malignant and manipulative force. There are a multitude of "cameos" that provide motivations for how characters act in the original trilogy. And the games and arena encounterd here are in an intermediary stage between those of The Ballad of Songbirds and Snakes and The Hunger Games.

I liked this installment; I just hope this series and its world-building avoids the Star Wars "trap" of tying everything back to the legacy storyline if it continues to grow.

Thursday, June 19, 2025

FLOWERS



"Yet in attachment blossoms fall, and in aversion weeds spread."

—Dogen, from "Genjō Kōan" ("Actualizing the Fundamental Point")

translated by Kazuaki Tanahashi


"Therefore flowers fall even though we love them; weeds grow even through we dislike them."

—Dogen, from "Genjōkōan" ("to answer the question from true reality through the practice of our everyday activity")

translated by Shohaku Okamura



Tonight, during zazen with South Sound Zen, my mind kept wandering back to the flowers on the altar—amidst the scent of Japanese incense, the incessant barking of my body, the wrestling of robes by one of our leaders, and the sounds of the city through the open windows.

There is effort to arrange the flowers. There is effort to place the flowers on the altar. And then they "disappear" while we sit. For that matter, they "disappear" even once we end sitting; most of us, most of the time, don't think about them again. But tonight, I did. And tonight, the line above (the Okamura translation) was referenced by our leader, which made those flowers on the altar bloom all over again for me. Attachment? Perhaps. Beauty and engagement? Yes. And of the (present) moment.

Wednesday, June 18, 2025

LE SLEESTAK STEVE



Le Sleestak Steve, paper cut cardboard, paper cut copy paper, and Sharpie marker on copy paper, 2025.

An homage mashup to both Instagram shenanigan Le Poisson Steve and the zombie-like reptilian humanoids that inhabit Lost City in live-action kid's show Land of the Lost.

Saturday, June 14, 2025

ESCAPE ROOM



We almost made it out of an escape room in time. (The photograph is of the lobby, not of the nautical-themed escape room.)

We had an hour to get out, but we probably needed another ten minutes to escape on our own. There were five of us. We were allowed three clues and we used them all at the end. Two were minor things we were overlooking, but would have likely figured out. One was a major miscalculation, but I likewise think we would have got it with extra time.

Ultimately, we did get to open the vault and make it to the treasure. However, we should have instead been forced to walk the plank. All in all, it was fun. (Other than the clock on the wall in constant countdown mode reminding us of our impending doom and failure!)

Wednesday, June 11, 2025

THE SINGING NAIL



Mystical moment of mowing the yard...

I started hearing a low ringing tone to the left of my head. When I pulled my ear protection back or removed my left hand from the running lawnmower, the tone would cease. When I replaced both, then the tone returned. It occurred throughout mowing the front yard.

I took a pause for some Internet research before mowing the backyard. The tone disappeared during the break and didn't return again.

It wasn't like "normal" ringing in the ears. It didn't seem to be an aural hallucination. I'm wondering if the vibration of the lawnmower provided a frequency that resonated with and activated my humeral nail. The tone was close to that of one of my singing bowls (pictured), but quieter and sustained. And knowing it had a point in space relative to my head and shoulder makes me think it is likely circumstances were "just right" at that moment to manifest and feed such a "song."

Tuesday, June 10, 2025

SHOULDER the PAIN



The beauty of a broken body. Using sword work to move through pain.

For the past couple of days, I've been experiencing issues with my broken arm, my shoulder, and my hardware. Then, tonight, my main neurological symptoms increasingly "turned on" and are now much more noticeable. So the former provided me a foretaste of what was to come.

Now it's time to lie on my Shakti Mat and then endure a couple days of waiting for symptoms to turn off.

Friday, June 06, 2025

LAN SU CHINESE GARDEN

As the temperatures in Portland moved from the low- to mid-70s of the morning and afternoon to the low-80s of the late afternoon, we sought relief at the Lan Su Chinese Garden in Portland's Chinatown. (And this garden provided such relief. It felt a few degrees cooler than the sidewalks and streets outside its perimeter.) We really just kind of stumbled upon it last minute, so we didn't know what to anticipate. We could see that it was contained within one square block, so my expectations were low.



This garden was radically different in architecture, atmosphere, and tone from the Japanese gardens. Where the Japanese gardens were subtle and understated, this Chinese garden was ornate and overstated. Buildings and structures of the residence of a Ming-era Confucian scholar, his family, and attendants surrounded a small lake at their center. Like the daimyo who would have owned the property at the Japanese garden, this Confucian scholar would have been part of the governing elite of his society.



Stone, water, and plants were the foundations for this garden, just as they were for the Japanese gardens, but the structures really added an element of their own. Wooden posts and pillars, gates and doors and panels, curved stone tile roofs all lent themselves to making this one square block a world of its own. The rest of the city, pressing in all around the garden, "disappeared" in many ways. The noise diminished and unless one looked up and saw the surrounding skyscrapers, one could imaging one's self in 16th century China.



I was fascinated by the way that this garden was claimed and tamed by the human, in a way that felt more overt than the Japanese garden. Chinese hanzi characters spoke from stones, panels, pillars, and carved wooden signs hanging over entryways. Language helped to "speak" form to this space (and time). Stones were large and bold. Shapes and structure were built into paved stone walkways, windows in walls, and ornamental tiles. It was fascinating and a time to see how Confucianism and Taoism played into the architecture of the garden and buildings of this Chinese garden in the same way the Shintoism, Buddhism, and Taoism sculpted the gardens layouts of the Japanese garden.


Both gardens provided me with plenty of things to continue to mull over and reflect upon, even as I leave the physical spaces behind in Portland.