Tuesday, October 31, 2017

RATATOSKR



there are more pressing tasks than trying to settle old squirrels

for Ratatoskr is neither young nor old but timeless

and not to be settled from his frantic frenetic fevered search

for nutmeat to cherish ingest enjoy

and gossip to gather bear deliver

between the raptors in Yggdrasil's canopy

and the dragon that nibbles at the great tree's Nine Worlds roots

no, let us not delay the work of this near-divine rodent

rather, let us encourage the digging and chattering and scurrying

along the whorls and burls of the bark and branches

hoping that he will drop a tidbit for us

a relic from one of the other worlds

a glimpse of things we may feel but not necessarily know

Sunday, October 29, 2017

SEASONAL GOURD CARVING


 "Octo-punk'n." Danish squash, acrylic paint, 24 lb. bond paper, masking tape.

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Danish squash and masking tape.

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"Dia de los Muertos." Danish squash.

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To be or not to be, a Danish squash skull.

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"Ash the Jack-o-Lantern." Pumpkin. Carved by The Child.

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"Classic Jack." Danish squash.

YGGDRASIL with SHADOWS



Yggdrasil with shadows

is a playground for Ratatoskr

multiplied


One broad leaf is an island

of light in the darkness for one

drill-tooth


One broad leaf is an island

of dark in the brilliance for another

Ratatoskr


Each broad leaf is an island

each with its own chittering rodent—

a collage


of colors and geometries

and bodies upon the gallows

branches

Saturday, October 28, 2017

YGGDRASIL as MAPLE



Yggrasil as maple—
one avatar among many


Ratatoskr attempts
to grab the samaras

as they flutter toward
the soft waiting soil

to crack them and eat
their nutmeat


before they can become
Yggdrasil 2.0

Friday, October 27, 2017

YGGDRASIL in AUTUMN



Yggrasil in autumn


where leaves will hang

for only a second

if a season


where Ratatoskr

will run from tree top

to root stock


seeking rich meat

of rotting nuts

as well as gossip


of the shrinking day.

Wednesday, October 18, 2017

THE BOTANICAL GARDEN



"Some experts said it was the greatest mass extinction since the dinosaurs."
—page 16, from The Botanical Garden by Ellen Welcker

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The Botanical Garden by Ellen Welcker is a strange and short book-length poem. I was perusing the poetry book shelves at Orca Books of Olympia,Washington when I noticed this small square volume. I was initially attracted to the sperm whale on the cover and the incongruity between it and the title.

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"Fifty years after whaling began, refugee populations in the Arctic Ocean had dropped so much that they were no longer considered an industry."
—page 25

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But it was the words within that finally drew me in and had me heading toward the counter to purchase it. Poking about through its pages had me intrigued, captivated. There were themes, but there were as many digressions as there were consistent threads.

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"Immigrants are huge, but elusive and difficult to see which adds to their mystery and fascination. They are highly intelligent animals with an elaborate social life, no possessions, and the complete freed of movement in three dimensions."
—page 30

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It reminds me of Notes on Sea & Shore by Greta Wrolstad. It reminds me of Notes From A Bottle Found on the Beach at Carmel by Evan S. Connell. It reminds me of Europeana: A Brief History of the Twentieth Century by Patrik Ouředník. It reminds me of Moby-Dick by Herman Melville.


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"You who name mountains, oceans, and desolate towns: tell me the idea of your country. Tell me its contours and flags and animals and industries. Tell me why it is, then tell me if the idea of being is a beautiful fusion."
—page 37

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The text is concerned with borders and barriers, even as it transcends them. It confuses and conflates human and whale, mother and child, geographies and bodies. Information about whales and information about refugees and immigrants trade places.

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"The game was called Border Patrol. The objective: 'to keep them out...at any cost!' Players had the opportunity to shoot any and all of the four types of border crossers: 'Nationalist,' 'Drug Smuggler,' 'Breeder,' or 'Krill Eater.'"
—page 44

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Categories are collapsed. Countries are shown to be nothing more than empty names. And, in the midst of everything being swept away in some sense, there is still the sea, always the sea.