Tuesday, October 31, 2017
RATATOSKR
there are more pressing tasks than trying to settle old squirrels
for Ratatoskr is neither young nor old but timeless
and not to be settled from his frantic frenetic fevered search
for nutmeat to cherish ingest enjoy
and gossip to gather bear deliver
between the raptors in Yggdrasil's canopy
and the dragon that nibbles at the great tree's Nine Worlds roots
no, let us not delay the work of this near-divine rodent
rather, let us encourage the digging and chattering and scurrying
along the whorls and burls of the bark and branches
hoping that he will drop a tidbit for us
a relic from one of the other worlds
a glimpse of things we may feel but not necessarily know
Sunday, October 29, 2017
SEASONAL GOURD CARVING
YGGDRASIL with SHADOWS
Yggdrasil with shadows
is a playground for Ratatoskr
multiplied
One broad leaf is an island
of light in the darkness for one
drill-tooth
One broad leaf is an island
of dark in the brilliance for another
Ratatoskr
Each broad leaf is an island
each with its own chittering rodent—
a collage
of colors and geometries
and bodies upon the gallows
branches
Saturday, October 28, 2017
YGGDRASIL as MAPLE
Friday, October 27, 2017
YGGDRASIL in AUTUMN
Wednesday, October 25, 2017
Wednesday, October 18, 2017
THE BOTANICAL GARDEN
"Some experts said it was the greatest mass extinction since the dinosaurs."
—page 16, from The Botanical Garden by Ellen Welcker
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The Botanical Garden by Ellen Welcker is a strange and short book-length poem. I was perusing the poetry book shelves at Orca Books of Olympia,Washington when I noticed this small square volume. I was initially attracted to the sperm whale on the cover and the incongruity between it and the title.
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"Fifty years after whaling began, refugee populations in the Arctic Ocean had dropped so much that they were no longer considered an industry."
—page 25
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But it was the words within that finally drew me in and had me heading toward the counter to purchase it. Poking about through its pages had me intrigued, captivated. There were themes, but there were as many digressions as there were consistent threads.
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"Immigrants are huge, but elusive and difficult to see which adds to their mystery and fascination. They are highly intelligent animals with an elaborate social life, no possessions, and the complete freed of movement in three dimensions."
—page 30
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It reminds me of Notes on Sea & Shore by Greta Wrolstad. It reminds me of Notes From A Bottle Found on the Beach at Carmel by Evan S. Connell. It reminds me of Europeana: A Brief History of the Twentieth Century by Patrik Ouředník. It reminds me of Moby-Dick by Herman Melville.
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"You who name mountains, oceans, and desolate towns: tell me the idea of your country. Tell me its contours and flags and animals and industries. Tell me why it is, then tell me if the idea of being is a beautiful fusion."
—page 37
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The text is concerned with borders and barriers, even as it transcends them. It confuses and conflates human and whale, mother and child, geographies and bodies. Information about whales and information about refugees and immigrants trade places.
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"The game was called Border Patrol. The objective: 'to keep them out...at any cost!' Players had the opportunity to shoot any and all of the four types of border crossers: 'Nationalist,' 'Drug Smuggler,' 'Breeder,' or 'Krill Eater.'"
—page 44
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Categories are collapsed. Countries are shown to be nothing more than empty names. And, in the midst of everything being swept away in some sense, there is still the sea, always the sea.
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